Reviews

Gerard Harpe: Suspended series
Artlink 5:5
The Decade for Women exhibition
Artlink 5:5
16 New Painters at the CAS
Art and Technology
Decay and decadence: A difference
Art and Technology
The British Show in Perth
Artlink 5:1
Narrowing the Options: The New Look Sculpture Triennial
Artlink 5:1
The Sculpture Alternative: Sculpture '85
Artlink 5:1
New SA Photography Surprisingly 'Straight' - The Developed Image, South Australian School of Art Graduate Photographers
Artlink 5:1
Images of the Italian Family
Artlink 5:1
Art Within Reach - Artists and craftworkers, architect and patrons, in the making of public art, edited by Peter Townsend
Artlink 5:1
Crochet to live longer. The Jean Langsford exhibition at W.A.M.
Artlink 5:1
Lynn Collins: art with a political conscience
Artlink 4:6
Adelaide's New Generation: energy and guts
Artlink 4:6
The Weary Smile - I:CON, by Ken Evans, Laurel Frank, Sue Grounds and Mark Patton
Artlink 4:6
Banners and the Death of Optimism
Artlink 4:6
EK SI BISH8NISTS: an installation
Artlink 4:6
Shades of Dark, Photography by Alan Cruickshank
Artlink 4:6
Seventies Art Replayed - Anything Goes: Art in Australia 1970-1980, edited by Paul Taylor
Artlink 4:6
Naive Art from Croatia
Artlink 4:4
Paintings of the Plains - Ron Hawke: Paintings and Drawings
Artlink 4:4
A Drama of Objects
Artlink 4:4
Setting the Pace: The Women's Art Movement 1980-1983
Artlink 4:4
The Bandaged Image: A Study of Australian Artists' Books
Artlink 4:4
Live Art: Australian and American Performance Art, edited and published by Anne Marsh and Jane Kent
Artlink 4:4
Committing a Crime and Getting Away With It: On Guard
Feminist Perspectives
Cine-Matrix: Women's Film in Western Australia
Feminist Perspectives
Beardless Youths in Post Modern Trousers: the Future Fall Conference
Feminist Perspectives
Hiroshima Art Event, 1984
Feminist Perspectives
On the Move: A play at work
Feminist Perspectives
Paintings and Prints, Port Lincoln, July 1984
Feminist Perspectives
Chris Bryant: A feminist, but not a feminist painter
Feminist Perspectives
Women's Art Register of Victoria
Feminist Perspectives
Groping the Underworld - Joy Hester by Janine Burke, Greenhouse Publications
Feminist Perspectives
Liberation: Women's Liberation Newsletter, published by Women's LIberation
Feminist Perspectives
Artists Week Performances: 26 Characters and Interface
Artists Week Forums 1984
Interface - a Punctuation Mark?
Artists Week Forums 1984
Artist's Proof (curated by Tony Bishop)
Artists Week Forums 1984
The Body Social, paintings by Juan Davila
Artists Week Forums 1984
Ken Whisson - Inspiring Young Artists
Artists Week Forums 1984
Non-Violent Land Rights Claims from the Centre: Painters of the Western Desert
Artists Week Forums 1984
Forces of Resilience: 3-D work by Mark Thompson, Marcus Champ and Ian Were
Artists Week Forums 1984
On and Off the Wall: An Exhibition of Mixed Media Work by Adelaide Artists
Artists Week Forums 1984
Educating Adelaide: RAP (Recent Australian Painting: A Survey 1970-1983)
Artlink 4:1
Scenes of Conflict: Some thoughts on RAP at the AGSA
Artlink 4:1
Fly by Night, David Kerr
Artlink 4:1
The Riverland, Not Just Houseboats and Oranges (an exhibition by 9 Riverland artists)
Artlink 4:1
A View of 1982: Australian Art Review, Warner Associates
Artlink 4:1
Rich relief prints: Art Gallery of South Australia
Artlink 3:6
First hand: Work by students of the South Australian School of Art
Artlink 3:6
Sojourn into tranquility: Heather Ellyard
Artlink 3:6
That edge to all our summers: Roger Noakes at Roundspace Gallery
Artlink 3:6
Art and real life: Prospects for the Future
Artlink 3:6
Interface
Artlink 3:6
Experimental Art Foundation: Visiting Artists in 1984
Artlink 3:6
Communique: Positive profile
Artlink 3:6
Marg Hooper at WAM
Artlink 3:6
Out From Under the Bed: Helen de Prynter and Elisa Hall
Artlink 3:6
Recent Australian Painting: A Survey 1970-1983
Artlink 3:6
Socially engaged art in Adelaide, October 1983
Artlink 3:5
Ways of printmaking
Artlink 3:5
Performing with technology
Artlink 3:5
Reaching stasis: Thoughts on the recent work of Hossein Valamanesh
Artlink 3:5
The same tune but a different song: Greg Hooper at Roundspace
Artlink 3:5
Art of a suburb: Artists in St Peters & Somewhere in St Peters
Artlink 3:5
Domestic politics: Is your cutlery showing?
Artlink 3:5
Art and Working Life
Artlink 3:5
Film: The forsaken media?
Artlink 3:5
Contemporary Art Society: Upcoming exhibitions
Artlink 3:5
Navigator, edited by Simon Penny
Artlink 3:5
The image of struggle: Polly Sumner photography
Artlink 3:6
Two photographers: Fiona Hall and Kate Breakey
Artlink 3:4
Predictable actions: Auto Atak
Artlink 3:4
Daughters on the stage
Artlink 3:4
I Love Lithography: Eight graduating printmakers
Artlink 3:3
Drawing with light: Clifford Frith public sculpture
Artlink 3:3
We regret to inform you: Ideas on Ice
Artlink 3:3
On staying healthy and safe: Artist Beware by Michael McCann
Artlink 3:3
All Out Ensemble, Right on: Situation Normal...Cut Up
Artlink 3:3
Adolescents ignoring the issues: Matriculation Art Show
Artlink 3:3
Warm welcome for new music: The Sensual Avant-Garde
Artlink 3:3
A feeling for environment: Prue Bonnin and Karen Genoff at Contemporary Art Society
Artlink 3:3
Promising 'Promises': Land of Promises, An exhibition of silkscreen prints by migrants
Artlink 3:2
The Meaning of a White Carnation: Learning and Visual Communication by David Sless, Croom Helm, London
Artlink 3:2
Arbitrary Review: Australian Art Review edited by Leon Paroissien, Warner Associates
Artlink 3:2
Shock Waves in Prospect
Artlink 3:1
Art History in the Making: SA Sculpture Survey
Artlink 3:1
Bodies and Branches: Coming Into Contact, works by David Thorp
Artlink 3:1
Callow Camera: Eight Graduating Photographers from the SA School of Art
Artlink 3:1
Two Painters: Not Still Lives, Home Cooking Theatre Company, Troupe, February 1983, director Barbara Ciszewska.
Artlink 3:1
Lawrence Daws by Neville Weston, Reed, Sydney.
Artlink 3:1
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