Artlink Australia | Contemporary Art of Australia and Asia Pacific

Tian Longyu, A…O!, 2014–15, dog fur (collected from pet groomers), leather, fibreglass, metal 251 x 195 x 430cm, installation view, The Hooligans, White Rabbit Gallery, 2025–26. Courtesy the artist and the White Rabbit Collection. Photo: Hamish McIntosh.

Issue 46:2 | Wirltuti / Spring 2026

Tian Longyu, A…O!, 2014–15, dog fur (collected from pet groomers), leather, fibreglass, metal 251 x 195 x 430cm, installation view, The Hooligans, White Rabbit Gallery, 2025–26. Courtesy the artist and the White Rabbit Collection. Photo: Hamish McIntosh.

In this issue

Editorial - Do You Get It?

Eleen Deprez and Una Rey

Still in Crisis! The Weaponisation of Humour

Chrisoula Lionis

On Not Getting It: Ambiguity in the Work of Agatha Gothe-Snape and Kate Mitchell

Jaimee Frances Edwards

The Funhouse Mirror of Televisual Satire

Roy Ananda

Knock Knock: Hu’s not There - Hooligans, Jokers, and Chinese Art

Sam Gaskin

I AM, or, at Least, I Think I Might Be: Colin McCahon’s Gate III

Peter Wood

Art and Theoriousness

Kathryne Genevieve Honey and Anita King

Memes, Monuments, and Middle Fingers in Ukrainian Art

Solomiya Sywak

Trolls or Art Critics? Diva Corp and Online Humour

Belle Beasley

Gag Reflex: Choking on AI

Scott Robinson

In Conversation: Simone Hine and Keemon Williams Beat a Dead Horse

Simone Hine and Keemon Williams

101 Torments of Hell + 1

Maurice O'Riordan

EJ Son: Twisting and Pushing

Soomin Jeong

To the Owner (of multiple properties)

Alana Hunt

Comedy as Resistance: Comedy as Alchemy

Yasemin Sabuncu

Hello Darkness: Who’s Laughing Now?

Ellinor Pelz

Yusi Zang: Bitter Comedy

Wes Hill

Buy or Subscribe

Flinders University Museum Art 2

WFAC

Desart 4

Perks

Supina Bytol, Where is my high vis mate, 2017, video (still). Courtesy the artist.

Supina Bytol, Where is my high vis mate, 2017, video (still). Courtesy the artist.

Supina Bytol: Home Island — Cocos Island Dreaming

Fiona Kelly McGregor

Faraway So Close: Building intercultural connections with Cambodia’s contemporary arts

James Compton

Emily Kame Kngwarreye, the artist who changed Australia

Ian McLean

Emily Kam Kngwarray in Switzerland

Lindsay Frost

Archetypes: 30 Years of 4A

Luise Guest

Stubborn Hope: Reflections on the 2026 Sydney and Venice Biennales

Pat Hoffie

Jemima Wyman: Deep Surface

Gretchen Coombs

Dog-Eared Darwin Art Criticism Challenge

Timothy Parish, Tom Lynch and Cj Fraser-Bell

See all reviews

Fiona Robertson, In Knots, 2012, mixed media. Photo: Fiona Robertson. Featured in Artlink 33:1 (2013).

Browse the Archive

Subscribe to content from 1981–

Fiona Robertson, In Knots, 2012, mixed media. Photo: Fiona Robertson. Featured in Artlink 33:1 (2013).