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Visual Culture, Pornography and Censorship
Editorial: hypocrisy in our attitude to sex. It is both celebrated and maligned, and the censorship laws allow young people to view explicit violence while classifying sex for adults only, based on psuedo-scientific analysis of 'normal' or 'aberrant'. This history of public attitude from the Enlightenment on, libertinism a radical opposition to status quo, advertising and porn, and artists exercising self-censorship.
Art, Pornography & Censorship
Tasteless
Editorial for the edition on Food Consumption and Pleasure. Summarises the treats which lie in store for the reader of the issue, linking the disparate approaches of the various writers .
Good Taste: Food, Consumption & Pleasure
The Future of Art
Editorial for the issue -- not the definitive answer but a series of clues as to what direction the visual arts might be following. The issue picks up ideas addressed in the forum 'Art of Sight, Art of Mind: Speculations on the Future of the Visual Arts and Crafts in Australia' organised by the National Association of Visual Arts. NAVA
The Future of Art
Quandong Country
Editorial for the issue 'Emerging Artists' (Vol 17 #4). The term 'emerging artist' is a red herring of a funding category in suggesting that the needs of emerging artists are so different from those of emerged artists. Like overnight sensations in film or theatre, emerging visual artists may be many years in the gestation.
Emerging Artists
Masculinities Reflected
Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.
Men's Business: Masculinities Reflected
Wer ist Unschuldig?
This issue of Artlink meanders (with kitschy loucheness rather than formalist stringency) around 'taste' bad and good, the workings of taste and various permutations of cultural expression in present day Australia. Kitsch is scrutinised.
Taste Meets Kitsch
Culture/Agriculture
Agriculture and culture go back a long way. The fact that they actually meet and marry in the word 'cultivation' makes this clear....when it comes to direct experience, city and country are more distinct in Australia than in many countries.
Culture/Agriculture
My Sydney
Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.
Sydney: The Big Shift
Film and Video
The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....
Film & Video
It's on Disc! Magazine Production on the Desktop
Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.
10th Birthday Issue
Museums on the Edge
Guest editor for Vol 12 No 1 Museums on the Edge. This edition was founded on a perception of a lack of any quantity of readily available material on the Australian and New Zealand experience of museums.
Museums on the Edge
Editor's Note: Sculpture
This special issue does not attempt to be a national survey of sculpture. It has focussed on various centres and given others less attention, partly to balance previous material in earlier issues of Artlink of which the following are notes by way of summary.
Dimensions: Sculpture in Australia
Art, Architecture and the Environment
This issue of Artlink tries to flag some of the issues for designers in Australia today, and to document just some of the changes which are happening.
Art, Architecture & the Environment
Contemporary Arts of the Region: South East Asia and Australia
Background to how the special issue on South East Asia came about, and speculation that Australia is at the crossroads of a new sensitivity to Asian culture and a desire to be part of its development. Despite growing industrialisation Asian cultures are still distinct and hold highly contrasting attitudes to artistic expression. Thanks to Neil Manton of the Dept of Foreign Affairs and Trade for his influence in funding this project.
Contemporary Arts of the Region: SE Asia & Australia
Australia and Asia: Friends and Family
The past 10 years have seen the building of ties between Australians and Asians through the interactions occasioned by the three Asia-Pacific Triennial exhibitions in Brisbane. There are now many personal and binding friendships across the region which did not exist before. This changes our concept of 'region' significantly.
Geography, Indigeneity and Dissonance
Some of the many complex questions raised by the Asia-Pacific Triennials relate to where artists originate from, how they relate to indigenous issues of their country, and the possibility of dissonant voices being heard through the exhibition which would not be tolerated in their country of origin. This is increasingly important in an Australian political climate which has downplayed our relations with the Asian region.
Myths and Histories: A Vietnamese Story
The inside story of the first selection of a Vietnamese artist for the Asia-Pacific Triennial. Vietnamese artists in the early 1990s were free to make art of their choice, as the grip of state-run culture began to relax. The significance of the resulting elegiac romantic paintings was lost on some critics of the Triennial who did not appreciate this history. The curatorial structuring of the Triennial helped to go beyond the official line of ministries of culture.
Asian Engagements: Tubes of Bamboo
In this brief article Turner focuses on the Queensland Art Gallerys Asia-Pacific Triennial. From the beginning, the Asia-Pacific Triennial was conceived as more than an art exhibition. It was equally about creating a network of contacts with artists and art institutions, a research base and permanent collection of contemporary Asian art and a forum for discussion of the art of the region. Artists discussed include Geeta Kapur, Marian Pastor Roces, Xu Bing, Santiago Bose, John Frank Sabado and Dadang Christanto.
