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Sophistication in the Country
Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.
The Art of Survival
Noarlunga: Backwater No Longer
The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.
The Art of Survival
Pav Offers Sweet Success
Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.
The Art of Survival
Bonanza for Creators in Ipswich
Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.
The Art of Survival
Briefly, Two Epics
Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994
The Art of Survival
Jemmy Caution
Exhibition review Jemmy
Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg
Curated by Alan Cruikshank
Ebenezer Studios Basement
February 18 - March 13 1994
The Art of Survival
The Case of the Cigarette and the Egg
Review Women and sexuality in Asian-Pacific Cinema
Media Resource Centre
Adelaide South Australia
February 26 - March 11 1994
The Art of Survival
Festival of Perth: Visual Arts a Shadow of Their Former Selves
Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.
The Art of Survival
Aboriginal Art Exhibitions in Western Australia
Review The Festival of Perth presented two major exhibitions of Western Australian Aboriginal art Bush Women at the Fremantle Arts Centre and This is my country at the exciting new exhibition venue 'Artplace' in Claremont.
The Art of Survival
The Green and the Wild
Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994
The Art of Survival
Designs on Shopping
Exhibition review 4 Seasons - Objects that Contain
Plimsoll Gallery
University of Tasmania Centre for the Arts
March 4 - 27 1994
The Art of Survival
Missing in Action
Book review Body and self: Performance Art in Australia 1969 -1992
By Anne Marsh
Oxford University Press Australia 1993
The Art of Survival
A View of the Perennials
Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993
The Art of Survival
The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.
Art & the Feminist Project
Update: Projects of Women and Art
A survey of current issues, events and projects with respect to women's art from around Australia.
Art & the Feminist Project
HER-ESIES Ancient and Modern
"Women in art must look to the future as they have no past" said Mary Cecil Allen at an opening of the Melbourne Society of Women Painters and Sculptors in 1935. A critical examination of the current art practices of women in Australia.
Art & the Feminist Project
Someday, Somewhere - Women and Nation in International Art
However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.
Art & the Feminist Project
The Art World: More Than a Foothold
Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.
Art & the Feminist Project
What Should We Do With The 'Women and Art' Elective?
Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.
Art & the Feminist Project
Nourishment for Tough Times: Bring A Plate Conference
Review Conference Bring a Plate: Feminist Cultural Studies Conference University of Melbourne
10-12 December 1993
Art & the Feminist Project
The Engagement of the Personal
How do we define ourselves? What are the choices for women these days?
Art & the Feminist Project
Image Bank: The Feminist Project
Presentation and artist statement by contemporary female art practitioners. Women looking as feminist, feminine, female, femme, feminal. Artists featured: Frances Joseph, Angela Stewart, Maryanne Coutts, Noela Hjorth, Jill Kempson, Maria Kuczynska, Rosslynd Piggott, Eugenia Raskopoulos, C. Moore Hardy, Alex Macfadyen, Janet Neilson, Deborah Paauwe, Virginia Barratt, Linda Dement, Susie Hansen, Janina Green, Joy Smith, Madeleine Winch, Kathie Muir, Libby Round, Pam Johnston, Merryn Eirth, Dee Jones, Di Barrett, Frances Phoenix and Ella Dreyfus.
Art & the Feminist Project
Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten
Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.
Art & the Feminist Project
The Changing Face of Australian Women
Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.
Art & the Feminist Project
Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
Looks at the work of three Queensland artists working in different ways with computers.
Art & the Feminist Project
Trapped in Paradise - Some Women Artists in Tasmania
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
Art & the Feminist Project
A View from the Other Side - Five Women West Australian Artists
Looks at the art practice of 5 Western Australian women artists: Helen Taylor, Alison Rowley, Moira Doropoulos, Michelle Elliot and Linda Banazis.
Art & the Feminist Project
Bad Girls: Institute of Contemporary Art London
Review Bad Girls: Institute of Contemporary Art London 7 October - 5 December 1993. Using glamour, virginity and stardom to attract as wide an audience as possible to a show of supposedly anarchic women artists all hoping to confront notions of sexuality and gender was a smart, if questionable, move....
Art & the Feminist Project
Speaking the Ineffable: New Directions in Performance Art
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Art & the Feminist Project
Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
Suffrage year celebrations and the visual arts in New Zealand.
Art & the Feminist Project
Re-orienting Feminism in Aotearoa
During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.
Art & the Feminist Project
Bush Women: Narrative Paintings from Outback Western Australia
Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.
Art & the Feminist Project
Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines
Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.
Art & the Feminist Project
Jillian Davey: Stories on Canvas
Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.
Art & the Feminist Project
The Price of Liberty
The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.
Art & the Feminist Project
Sight Lines
Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75
Art & the Feminist Project
Nola Farman: The Challenge Continues
Examination of the art practice of Nola Farman.
Art & the Feminist Project
Memorial to the Survivors
Discussion of the work of Aboriginal artist Hope Neill
Art & the Feminist Project
The Amazingness of Women to JUST DO IT
Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.
Art & the Feminist Project
Porn Shop Art Adventures
Written with Barbara Holloway Exhibition review Joe Blow: A very erotic art exhibition by Jo Ernst
Adam and Eve Gallery Canberra
December 1993
Art & the Feminist Project
Printmaking and Optimism
Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994
Art & the Feminist Project
Far Beyond First Impressions
Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.
Art & the Feminist Project
A Woman's Story: Hunting Grounds
Fremantle Arts Centre, Western Australia
5 November - 10 December 1993
Art & the Feminist Project
Revelations of a decade
Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia
Art & the Feminist Project
Memories of a Nebula
Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994
Art & the Feminist Project
Different Dreaming
Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993
Art & the Feminist Project
More Light (Goethe's last words)
Craig Andrae Miscellaneous Remarks
Contemporary Art Centre
Adelaide, South Australia
3 September - 3 October 1993
Art & the Feminist Project
Reaffirming Identity
Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
Adelaide South Australia
23 November - December 1993
Art & the Feminist Project
En-Gendering Resistance: Opening Moves with Game Girl
All New Gen Game Girl
by VNS Matrix
(Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation
Adelaide South Australia
21 October - 21 November 1993
Art & the Feminist Project
Film and Video
The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....
Film & Video
Aboriginal Arts in Australia 1990
Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.
Contemporary Australian Aboriginal Art
Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....
Film & Video
Domestic Noir Night Out
Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.
Film & Video
More Bangs for Bucks: Male Sexuality and Violence in Australian Film
Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.
Film & Video
Lesbian Independent Cinema and Queer Theory
Lesbians do not exist in mainstream Australian cinema. Apart from a brief sequence representing youthful lesbian desire in 'The Getting of Wisdom (1977)' and the undercurrent of adolescent homoeroticism in 'Picnic at Hanging Rock (1975)' Australian cinema has remained mute - perhaps dumbstruck might be a more appropriate term - in relation to the issue of desire between women.
Film & Video
Wizards of Oz: Into the 90s - Between Documentary and Fiction
In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.
Film & Video
Monica Pellizari's Short Black Look at the Italian-Australian Experience
The title of Monical Pellizari's recently completed short film has a characteristically wry double edge. 'Just Desserts (1993)' tempers an unfortunates Australian maxim with distinctive humour. This film is a delight, a consolidation of the stylistic and thematic concerns of her previous 3 films in 13 witty and evocative minutes.
Film & Video
Aleksi Vellis
Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.
Film & Video
Memory and Image: The Multiculturalism in Film Project
It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.
Film & Video
"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?
Film & Video
Who Told You We Wanted To Make Our Own TV?
The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.
Film & Video
"I Am Not A TV Show"
"I am not a TV show, this is not a TV show." These are the oft-spoken words of Tony Tjamu, Chairperson of the Mutitjulu Community at Uluru (Ayers Rock) in the Pitjantjatjara Lands of Central Australia. Their repetition reveals something of the exasperation born of the visibility of being Aboriginal in a predominantly white Australia.
Film & Video
Independent Distribution and Exhibition
In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.
Film & Video
"Just Trust The Text, Don't Colour It"
Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.
Film & Video
A Tale of Reproduction and Dependency
The interface between film and video education and the Independent film and video production.
Film & Video
Digital Art
The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.
Film & Video
The 7th International Video Festival
Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.
Film & Video
Perplexities: Experimenta 1992
Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.
Film & Video
Museum Screen Dreams
Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.
Film & Video
The End of Independence? Women's Film and Video in the 1990s
Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.
Film & Video
Cinema or Death
What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.
Film & Video
The Last Days of Chez Nous: Love Stories and Girls' Blouses
In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.
Film & Video
Wild: Beyond the Deconstruction
To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.
Film & Video
Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
Expressionism and modernism. Two old fashioned words in these days of post modernism.
Film & Video
Brother Can You Spare a SP Betacam
Discussion with George Mannix. If there is any form of expression that eats money it is the feature length movie. Camera, lights and actors all cost big bucks and many ideas have stopped at the drawing board simply because there wasn't enough money. Independent Producer George Mannix had other ideas.
Film & Video
One Way Street
John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.
Film & Video
TV Eye: Cinema in the Age of Video
In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....
Film & Video
Delayed Voyage: George Popperwell
Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992
Film & Video
The Pure and The Impure: Shaun Kirby
Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992
Film & Video
Colonial Patterns Repeated: Robert Harrison
Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992
Film & Video
Pretty as a Picture: Women Artists and the Heidelberg Era
Exhibition review Completing the Picture: Women artists and the Heidelberg era
Carrick Hill, South Australia
8 November - 6 December 1992
Film & Video
Come Again: Aldo Lacobelli
Exhibition review Souvenirs Aldo Iacobelli
Experimental Art Foundation
South Australia
22 October - 15 November 1992
Film & Video
Journey by Proxy
Exhibition review Crossings Mary Knott: Drawings and Sculptures 1988 - 1992
Curated by Tony Geddes
The Art Gallery of Western Australia
October 3 - December 13 1992
Geraldton Regional Gallery
December 18 -January 21 1993
Bunbury Art Galleries
January 30 - March 7 1993
Film & Video
A Golden Threat: Feminisms
Exhibition review Feminisms
Curated by Niki Miller
Perth Institute of Contemporary Arts
Western Australia
November 1 - 28 1992
Film & Video
Transformation of the Real: Constantine Koukias and Ann Wulff
Review To Traverse Water
IHOS Opera Hobart, Tasmania
Constantine Koukias and Ann Wulff
Film & Video
Floral Tributes: The Flower
Exhibition review The Flower
Curated by Paul Zika
Plimsoll Gallery, Centre for the Arts
Hobart Tasmania
Film & Video
The Chronic Population
Art Brut is that manner of making something whereby all of the individual is.
Naive & Outsider Art
Outsider Art: Flavour of the Month
Looks at the art market and the great beast of commercialism.
Naive & Outsider Art
Captain Oates' Last Words
Art institutions are beginning to welcome Outsiders in. But there seems to be a little uncertainty in the art world as to the specifics of the Other guest list: enterprises such as this Artlink special issue are a means of establishing the canon, of packaging the concept.
Naive & Outsider Art
The Boundary Riders: The Art of Everyday Life
The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?
Naive & Outsider Art
Nothing if Not Innocent
Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.
Naive & Outsider Art
From Stone Henge to Post-Feminist Creatures
Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.
Naive & Outsider Art
I just had this Inkling...
Interview with Tazz a tattoo artist in South Australia.
Naive & Outsider Art
The Australian Collection of Outsider Art
Outsider Artists in Australia? Of course. The phenomenon is universal.
Naive & Outsider Art
Mental Disturbance and Artistic Production
The popular understanding of the so-called 'insane' artist cannot be summarised better than in the schmaltzy lyrics of 'Vincent' written and sung by Don McLean in the 1970s. He plaintively chides those who misunderstood the living Van Gogh and charges them with the responsibility for his suicide.
Naive & Outsider Art
Nyungar Landscapes: Wetern Australia
In a remote corner of the south west of Western Australia, a school teacher who had never trained in art, was the catalyst for a school of landscape painting reminiscent of the style of Namatjira. Everything about this story was remarkable, not least that this happened over 40 years ago and that the average age of the artists was 10. The place was a tiny settlement known as Carrolup, now known as Marribank near Katanning.
Naive & Outsider Art