Search - Artlink

Drawing with light: Clifford Frith public sculpture

Robert Thirlwell

Artlink 3:3

We regret to inform you: Ideas on Ice

John Neylon

Artlink 3:3

On staying healthy and safe: Artist Beware by Michael McCann

Robert Wilmot

Artlink 3:3

All Out Ensemble, Right on: Situation Normal...Cut Up

Ken Bolton

Artlink 3:3

Adolescents ignoring the issues: Matriculation Art Show

Paul Duncum

Artlink 3:3

Warm welcome for new music: The Sensual Avant-Garde

Timothy Edhouse

Artlink 3:3

WAM at Anzart

Anne Marsh

Artlink 3:3

A feeling for environment: Prue Bonnin and Karen Genoff at Contemporary Art Society

Paul Bishop

Artlink 3:3

Artrave

Artlink 3:2

An Art Gallery Service - Option on a Dream

Don Hein

Artlink 3:2

Perspecta: Curator's View

Julie Whitehead and Bernice Murphy

Artlink 3:2

Mr Freud and Painting in Britain

Peter Dormer

Artlink 3:2

Ideas on Ice: The Union Tells

Artlink 3:2

Terrific North Terrace

Marcus Beresford

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About Face

Kirsi Hiltula

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Women's Performance Art from Australia to Japan

Anne Marsh

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Evolving Via Collision

Julie Adams and Andrew Petrusevics

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Visual's Arts Board's Overseas Studios

Mary Shaw

Artlink 3:2

Contemporary Music-a New Move

Claudio Pompili

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Letters

Artlink 3:2

Promising 'Promises': Land of Promises, An exhibition of silkscreen prints by migrants

Trish McLaine

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The Meaning of a White Carnation: Learning and Visual Communication by David Sless, Croom Helm, London

Wayne Hooper

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Arbitrary Review: Australian Art Review edited by Leon Paroissien, Warner Associates

Stephanie Britton

Artlink 3:2

Artrave

Artlink 3:1

Letters

Artlink 3:1

The Festival: a Foot in the Door

David Watt, Julie Whitehead and Tony Bishop

Artlink 3:1

A Fuller Theory of Art

David Thorp

Artlink 3:1

84 year old, first one-man show

Paul Bishop

Artlink 3:1

Shock Waves in Prospect

Trish McLaine

Artlink 3:1

Art History in the Making: SA Sculpture Survey

Rosemary Brooks

Artlink 3:1

Bodies and Branches: Coming Into Contact, works by David Thorp

Robert Thirlwell

Artlink 3:1

Callow Camera: Eight Graduating Photographers from the SA School of Art

David Sless

Artlink 3:1

Two Painters: Not Still Lives, Home Cooking Theatre Company, Troupe, February 1983, director Barbara Ciszewska.

Pam Waite

Artlink 3:1

Lawrence Daws by Neville Weston, Reed, Sydney.

Ivor Francis

Artlink 3:1

Behind the scenes

Heather Bonnin and Robert Wilmot

Artlink 3:1

The Proper Study of Art as Nature

David Lyons

Artlink 3:1

1982, Action Packed Year

Anne Marsh

Artlink 3:1

Some notes on New Zealand

David Kerr

Artlink 3:1

Some recent shows

Artlink 3:1

Artrave

Artlink 2:6

Exemplary Objects: Robert Hughes on the New Australian National Gallery

Donald Brook

Artlink 2:6

Alternative Art School- Real at Last

Rosemary Brooks

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Through a Left Lens, Darkly: Thinking Photography edited by Victor Burgin, Macmillan

David Sless

Artlink 2:6

The Visual Artist and the Law by Shane Simpson, Law Book Company Ltd

Henry Lydiate

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Children's Spontaneous Drawings: an Introduction

Paul Duncum

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Contemporary British Drawing

Peter Dormer

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Issues in Black and White

Anne Marsh

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Ed Douglas: Views of the Earth

Robert Thirlwell

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Coast Watch

John Neylon

Artlink 2:6

The Awakening Giant

Marcus Beresford

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Politics of Art or an Aesthetic for Women? Part 4 (Final)

Griselda Pollock

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The CYSS Show

Ian Hamilton

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Frenetic Vitality

Pam Waite

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Letters

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Photographers Come Out of the Darkroom

Karin Rijkuris

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The Case Against the Cuts

Neville Weston

Artlink 2:5

Bottom of the Sepik

Barry Craig

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The British Art of Politics

Peter Dormer

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Quilts: Sentimental Feminism?

Ailsa Maxwell

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Letters

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Preview: Portrait of Elizabeth

Delsha Rees

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The Ideal Photograph

David Broker

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Burst or Bust: Media Coverage of the Visual Arts

Marcus Beresford

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Changes at the New EAF

David Kerr

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View from the Battlements

John Neylon

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The Politics of Art or an Aesthetic for Women? Part 3

Griselda Pollock

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Artrave

Artlink 2:5

Artrave

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Prospect: where we are with community arts

Trish McLaine

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Expressing Women's Worlds: Quantum Leaps-a series of events organised by the Women's Art Movement

Mary Hutchison

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Beating Wings: Recent sculpture by Marcus Champ, Jam Factory Gallery

Lani Weedon and Helen McDonald

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Conrad Atkinson

David Kerr

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The Case for a Gallery

Phillip Bannigan

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Picking Up the Pieces

John Neylon

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Brisbane Races Ahead

Marcus Beresford

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The Politics of Art, or an Aesthetic for Women? Part 2

Griselda Pollock

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Celebrating Style: Popism at the National Gallery of Victoria, July 1982

Pam Waite

Artlink 2:4

Letters

Artlink 2:4

Letters

Artlink 2:3

Artrave

Artlink 2:3

Pain and Pleasure: Vision in Disbelief': Fourth Biennale of Sydney

Virginia Hollister

Artlink 2:3

It’s a Question of What Kinds of Arguments Remain the Most Visible: The Biennale Forum-A Decade of Feminist Art in Review

Ailsa Maxwell and Jude Adams

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Leaving the Cul de Sac Part 2

Peter Dormer

Artlink 2:3

Peter Fuller's 'Aesthetics After Modernism'

Donald Brook

Artlink 2:3

The Politics of Art, or an Aesthetic for Women? Part 1

Griselda Pollock

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The Temporal Arts

Kyriaki Maragozidis

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Straight Down the Guts

Lynn Collins

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Community Arts at the EAF

Jude Adams

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The Need for More Visual Art Spaces

Marcus Beresford

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Performance Art as Excellence

Anthony Howell

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Mental Osmosis: Double Vision Event by Ian de Gruchy, The Experimental Art Foundation

Louis Nowra

Artlink 2:3

Moving Mountains: Peter C. Webb, paintings at the Contemporary Art Society

Stephanie Britton

Artlink 2:3

Letters

Artrave

New Meanings in New Contexts

John Olsen, Hossein Valamanesh and Marcia Langton

Rendering Deviance Legible

Jody Berland and Edward Colless

Film: Non-sexist roles for women

Susan Lambert, Jeni Thornley and Harry Bardwell

On the Practice of Theory

Steve Wigg, Ian Burn, Helen Grace, Jude Adams and Donald Brook

Socially Engaged Art -Nothing Special

Ailsa Maxwell, Donald Brook, Krzysztof Wodicko, Vivienne Binns, John Hughes and Mary Callaghan

Rape and Art and Rape

Alison Davey, Pon Singh, Vivienne Graves, Kate Millington, Leonie Gregory and Pamela Harris