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Korean heat at the Asia Pacific Triennial of Contemporary Art, Brisbane
Alison Carroll on the legacy of the Asia Pacific Triennial as the place to see Korean art in Australia
We are Korean: Cultural agency is power
David Pledger looks at the role of arts and culture in globalising national economies and contrasts Korean and Australian strategic thinking
The public good of private museums in Korea
Chang Seung-yeon on the the conspicuous activity of the private art museum run by corporations and individuals
The rogue aesthetic practice of crossing the DMZ
Gim Jong-gil on the seditious seed that is the Demilitarized Zone between North and South Korea
Art–science convergence: High-tech/media/robotics/post-human
Hye Jin Mun on the intersection between the arts and sciences in Korean art
Filling the holes of history with the present: Cho Duck Hyun, Noh Suntag and Jo Haejun
Jung Hyun on three Korean artists who deal with history in strikingly different ways
Art that embraces the village and its residents
Kim Hae-gon on the Maeulmisul Art Project supporting regional renewal
Art museums rule: State support for grand visions
Kim Inhye on Seoul’s evolving infrastructure of museums, independent artists’ spaces and residency programs
Ecology and new border paradigms: The Real DMZ Project 2015
Lee Sun Young on practices that shed light on the division and possibilities for reunification of North and South Korea
Cultural conversations: An oral history project
Paul McGillick on an online archive generating a unique cultural exchange between Australia and South Korea
Are we engaged or just hanging out? Korea–Australia arts exchange
Sarah Bond on the act of giving and taking as cultural exchange
Three Korean artists at the 8th Asia Pacific Triennial of Contemporary Art
Yeon Shim Chung on artists Choi Jeong-Hwa, Haegue Yang, and Siren eun young jung
Video and performance art in Korea: A force majeure
Yoo Jin Sang on the evolving forms of performative practice in contemporary Korean art
The world of Dansaekhwa: Spirit, tactility and performance
Yoon Jin Sup, the acknowledged authority on the 20th-century movement of Dansaekhwa, traces its resurgence today as an expression of the enduring presence of ancient culture in this outwardly most material of societies
An interview with BG Muhn on the art of North Korea
Yvonne Boag interviews BG Muhn about his forthcoming book on the Passion, Propaganda and Paradox of North Korean Art to be published by Seoul Selections, and an exhibition at the American University Museum in Washington in 2016
Video and performance: Many chronic returns
Robert Nelson on the death and rebirth of performance in the video loop
Fly In Fly Out artists of Western Australia
On artist residencies and site-specific projects that don’t always go as planned
Alicia Frankovich: Toward a republic of the post-human multitude
Toward a republic of the post-human multitude
Perspectives on contemporary dance
Julianne Pierce on multidisciplinary approaches to working across contemporary dance and visual arts
Emily Kame Kngwarreye in Japan
Gay McDonald and Laura Fisher on staging Utopia: The Genius of Emily Kame Kngwarreye at the National Museum of Art in Osaka
Fragrant Lands: There’s all our country
An exhibition and artist exchange program between Desart and the Shanghai International Culture Association
Grassroots cultural exchange between western New South Wales and the Philippines
Two case studies involving Indigenous artists from the Philippines and the politics of transnational cultural exchange
Unmapping the End of the World
Unmapping the End of the World is an intercultural, durational and experimental contemporary art project
We are born of the Fanua: Moananui arts practice in Australia
Artist and curator Léuli Eshraghi maps the diaspora and reconsolidation of Pacific or Moananui peoples in Australia through the art of Taloi Havini, Kirsten Lyttle and Jasmine Togo-Brisby
