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Thinking Like a Sheep, Acting Like a Ham
Some thoughts on performance and the Australian cinema. Verhoeven snuggles up to the sheep film as a clue to what Australian filmmakers have held dear. Nationalism and republicanism examined.
Looking at the Republic
Glue and Yeast: Asian Perceptions and the Year 2000
The perception of 'culture' underlies all our relations in Asia. What are we? Are we as we are perceived? It is a really pertinent, dynamic interesting moment in our history, and in a wider world, in the history of this region.
Looking at the Republic
The New Republics: Contemporary Art from Australia, Canada and South Africa
The ideas behind this project stem from the particular legacy of Black British arts practice in the 1980s....This touring visual arts exhibition and book project tries to deconstruct the notion of the centre (London/UK/Europe) both as a site of former colonial power and as a site of current economic and cultural power.
Looking at the Republic
An Australian Head of State - Eureka!
Eureka - the First Australian Republic? was a touring exhibition which documented and interpreted the Eureka stockade. Containing paintings, drawings and prints ranging from the 1850s to 1994 as well as objects, documents and books related to or dealing with the Eureka Stockade the exhibition demonstrated the symbolic power this event has exerted on Australian political life as well as the imagination of artists.
Looking at the Republic
Sport and Porn
Sport and Porn was huge in its scope and scale. The show ran for an hour and a half over a two week period at the Performance Space in Sydney during March 1997. Victoria Spence writes about the performance that she was involved in. The team comprised Morgan Lewis, Scott Wright, Sharon Kerr and Steve Howarth, Adam Kronenburg, Dana Diaz Tutaan, Victoria Spence and Rodgers D.
Looking at the Republic
Art for a Banana Republic
Morrell contemplates the Banana Republic, a tourist destination with exotic indigenous culture and good weather. An Australian Republic seems to be inevitable...but where will art sit in this new future?
Looking at the Republic
Festival of the Dreaming
Looks at the cultural events planned to accompany the Olympic Games to be held in Sydney in September 2000. There are 4 cultural festivals -- 1997 The Festival of the Dreaming curated by Rhoda Roberts, 1998 A Sea Change curated by Andrea Stretton, 1999 Reaching the World, 2000 Harbour of Life co-ordinated by Leo Schofield.
Looking at the Republic
Symbols for Australia
Trademarks and logos have been vital ways of marketing goods and services for well over a century. What are the readily identifiable symbols for Australia?
Looking at the Republic
Art as Cultural Diplomacy: Back to the Drawing Board
How would we re-present ourself to the rest of the world if we became a republic? It is the treatment of Australia's indigenous people that will ultimately determine both how we can imagine our own cultural development and how we are viewed by other cultures in the region.
Looking at the Republic
The Path of Peace
Arts of Vanuatu
Ed Bonnemaison, Huffman Kaufmann, Tryon.
Published by Crawford House
RRP $69.95
Looking at the Republic
Travelling North or Going Backwards?
Is Australia an Asian Country? by Stephen FitzGerald
Allen and Unwin 1997 RRP $19.95.
Looking at the Republic
Cheating Tragedy
The Art of Gordon Bennett
by Ian McLean and Gordon Bennett
Craftsman House
RRP $75
Looking at the Republic
Hard Edge Political
Lawyers, Guns and Money
19 June - 7 September
Experimental Art Foundation
Lion Arts Centre, North Terrace, Adelaide.
Looking at the Republic
A few more fish than you'd expect for seven bucks
Still Life: Still Lives
Art Gallery of South Australia, Adelaide
6 June - 27 July 1997
Looking at the Republic
Post-Colonial Dreaming
Mapping the Comfort Zone: The Dream and the Real
works by Irene Briant, Jenny Clapson, Jo Crawford, Christine James. Catherine K, Nien Schwartz, Lucinda Clutterbuck & Sarah Watt.
Artspace, Adelaide Festival Centre
4 July - 16 August 1997
Looking at the Republic
Disclosing Secrets
Terr(or) Firma Terr Affirma
Brenda Goggs Prospect Gallery South Australia
1- 22 June 1997
Looking at the Republic
Mothertongue
Re Affiliations
12 June - 13 July 1997
Margaret Sanders, Claudia Lünig, Clare Martin, Hanh Ngo, Maria Stukoff, Lisa Jeong, Paloma Ramos, Madelaine Neveu
Nexus Gallery, Adelaide
Looking at the Republic
To Have or to Hold
Containment
Debra Dawes, Zsolt Faludi, Gwyn Hanssen Pigott, Carlier Makigawa, Susan Norrie, Mary Scott. Curator: Clare Bond.
Plimsoll Gallery, Hobart
12 April -2 May, 1997
University Gallery. Launceston
2 - 31 July, 1997
Reviewed by Mary Knights
Looking at the Republic
Introspecting
"The belief system that makes the artworld so unlike - let us say - the builder's hardware world is distinguished primarily by the doctrines that there are no truths and that nothing is real.... To put the point with moderation: artists would not be inconvenienced in the least by a general theory of representation that brought the trustworthiness of their critic somewhere within powerful cooee of the trustworthiness of their radiologist. And Theory owes it to them."
Art & Medicine
Whose Body? Ethics and Experiment in Art
How does the notion of experiment translate from the realms of scientific medicine to the realms of art? We are forced to examine how legal and ethical liabilities of behaviour are encoded. Looks at the work of Stelarc and Orlan.
Art & Medicine
Manifesto of Carnal Art
Carnal art is self portraiture in the classical sense, but realised through the possibility of technology. It swings between defiguration and refiguration. Its inscription in the flesh is a function of our age. The body has become a 'modified ready-made', no longer seen as the ideal it once represented.
Art & Medicine
Hand and Eye: The Art of Michael Esson
Michael Esson is fascinated by medical science. His work is not simply a satire of the medical profession or a reflection of the limitations of modern science. The surgeon is a metaphor for the mind facing the limits of its own ability to look into the darkness of nature.
Art & Medicine
The Faulding Collection
Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.
Art & Medicine
The Irrepressible Imprecision of Emotion
One of the general aims of internationally focussed survey exhibitions is to reflect the art of a particular time....However there is also a sense in which exhibitions of this nature can tend to operate as a form of cultural engineering, where the very status of inclusion in such exhibitions influences the kind of work made.
Art & Medicine
Post-mortem: Farrell and Parkin
For a number of years the collaboration of Farrell and Parkin has produced photographic imagery dealing with medical history. Their photographic work involves the almost archaeological reconstruction of medical contraptions together with bandaging and stirrups and so on which are described in medical texts.
Art & Medicine
Healing Places: The Art of Placemaking in Health Facilities
Examines ideas of place in medical/health facilities from different perspectives. What role does art play in these places? To promote wellness, designers need to create environments that help in reducing stress. Art has an important role to play in helping people to heal.
Art & Medicine
Drugs 'n' Art
The role of drugs and art making is examined in the works of particular artists. Historically drugs have been used for enlightenment as well as for healing or endurance....
Art & Medicine
Image Bank for Art and the Body - Medical Imaging
Medical imaging through the work of nine artists: James Guppy, Ruth Waller, Victor Dellavia, Elizabeth Abbott, Julie Rrap, Jan Parker, Tina Gonsalves, Kate Campbell-Pope and Claire Bailey. Artists statements and colour images included.
Art & Medicine
Means to an Endoscope: Art, Medicine and the Body
Art medicine and the body was a project spanning 18 months. There were 28 participating artists. The exhibition opened at the Perth Institute of Contemporary Art in August 1996 followed by the performance and forum.
Art & Medicine
Body Suits
Body suits, conceived by Jane Trengove of Arts Access Victoria, proposes the body as a site for investigation with the contributing artists being mostly people who experience 'bodily difference due to disability'. Touring show in 1997.
Art & Medicine
Linking Art, Science and Technology through the body
Looks at the conference 'inter sections 1996' hosted by the College of Fine Arts at the University of New South Wales. The theme for the conference was Imag(in)ing Bodies; Issues of art, design, technolgy, health, medicine and science.
Art & Medicine
Artworks in the New Children's Hospital Westmead NSW
The new building was conceived with the idea that artworks would be included throughout the new hospital as part of the desire to create a total healing environment. Since 1995 when the first patients were admitted the collection has continued to grow. An illustrated catalogue of the collection has also been published.
Art & Medicine
Youth Arts in Hospital
The Youth Arts program at the Department of Adolescent Medicine at the New Children's Hospital Sydney commenced in 1984. In 1994 the project 'Art Injection' took place resulting in a book.
Art & Medicine
Art Therapy: The New Frontier
Looks at the program in the College of Fine Art at the University of New South Wales.
Art & Medicine
Getting Better all the Time: Austin and Repatriation Medical Centre Arts Program
The Austin and Repatriation Medical Centre (Victoria) has an innovative arts program. Commenced in 1989 and now holds an annual exhibition of sculpture.
Art & Medicine
Hello Sailor
Exhibition review Sculpture Bert Flugelman
Greenaway Art Gallery,
Adelaide, South Australia
23 April - 18 May 1997
Art & Medicine
Salome's Dance
Exhibition review Blind: Annette Bezor
Greenaway Art Gallery,
Adelaide, South Australia
March 26 - April 20 1997
Art & Medicine
A Manifesto of Arrival and Understanding
Exhibition review Paintings: Zhong Chen
Adelaide Central Gallery,
South Australia
7 March - 20 April 1997
Art & Medicine
Historical Incisions
Exhibition Review Intervention 4: Michael Schlitz
Tasmanian Museum and Art Gallery
3 February - 2 March 1997
Art & Medicine
Getting a Glimpse of the San
Exhibition review Eland and Moon: Contemporary San Art of Southern Africa
Museum and Art Gallery of the Northern Territory
29 November - 31 March 1997
Art & Medicine
Compelling Viewing
Exhibition review In focus: Rover Thomas
Stories: Works from the Holmes a Court Collection
Lawrence Wilson Art Gallery
The University of Western Australia
Part of the 1997 Festival of Perth
Art & Medicine
An Elliptical Traverse
Exhibition review Inside the visible - Alternative views of 20th Century Art through Women's Eyes
Art Gallery of Western Australia
13 February - 6 April 1997
Art & Medicine
Liar, Liar, Pants on Fire
Book review Letters and Liars: Norman Lindsay and the Lindsay Family by Joanna Mendelssohn
Angus and Robertson
RRP $19.95
Art & Medicine
Search and You Shall Find
Book review Max Germaine's Artists and Galleries on CD Rom
Published by Macquarie Multimedia
RRP $199
(reviewed by Anna Ward with Julia Farrow vi$copy@wr.com.au)
Art & Medicine
The New Ecodesign: Sceptics Beware!
Whilst on a global scale Australia still dawdles on ecodesign, pockets of cutting-edge research and design are moving ahead with international recognition. Overview of events. In 1991 RMIT in Melbourne hosted the EcoDesign 1 Conference 1989-1992 Designers for the Planet, Perth WA Society for Responsible Design (1990 - ) NSW Re-Design Group Melbourne, Victoria (1991-93).
Australian Design
The Domestic Companion: Taking Stock of Furniture Futures
In 1990/91 the author was commissioned to research and develop a national furniture industry strategy. Examines domestic furniture futures, the concept of home, flexibility, transverse use, product families, trends and future furniture companions.
Australian Design
Exhibiting Furniture
The exhibiting and collecting of contemporary Australian furniture design is a telling indicator of how we as a society regard design. Australian furniture has been seen at SOFA (Sculpture, Objects and Functional Art - Gallery Trade Fair Chicago USA) since 1993.
Australian Design
Lighting Design
Market size in Australia is the main hurdle to successful lighting however there are designers who are making inroads with Australian lighting design.
Australian Design
A Touching Story
Sydney's Powerhouse Museum began collecting artefacts relating to industrial design in the late 1980s. Since then a number of designers and consultancies have been represented in the collection. The author, curator of Industrial Design, Innovation and Marketing at the Powerhouse tells the story of these unsung heros and heroines of the everyday.
Australian Design
Out of the Garden and into the Landscape
What landscape architects in Australia have been doing since about 1970 is to begin to address the Australian lanscape in all its extraordinariness and vastness - as a subject for design and interpretation in the creation not only of our settlements but all those places where we may leave our mark, even if we don't inhabit them.
Australian Design
Designing for the Computer Screen
Design for the new media encourages models which utilise multi-dimensional connectivities. Vertical layering of data is their area of exploration in comparison to the more conventional horizontal depiction of information on the page or in narrative cinema. The grammar of the interface designer has had to alter to accommodate random access and idiosyncratic hierarchies established by the user.
Australian Design
Magabala Books: The Politics of Design
Magabala Books, Australia's first indigenous publishing house takes its name from an indigenous vine that flourishes on the pindan soil of north western Australia. Sam Cook is the publisher's first indigenous designer. She talks with Mara Mann.
Australian Design
Australian Fine China: Artists and Industry
Perth based Australian Fine China, the only maker of porcelain in Australia and New Zealand, is currently using a number of artist-designers to move from being a stolid china manufacturer for railways and cafes to one whose products are seen in top flight restaurants in the big hotels, in classy tourist venues and now on the dining tables of the nation. They have some way to go to entice Australians to purchase the 'local product' for their homes but they are making steady progress.
Australian Design
From the Bush to the Street: A Change in Direction for Australian Fashion
Despite the pull of the outback and the image of the Aussie bushman, the majority of modern Australians are urban dwellers, strung around the perimeter of the Continent. Little known to the outside world beyond our cultural icons of the kangaroo and the koala, few look to Australia as a source of contemporary design in any form, let alone fashion. Until recently, the global fashion market has seen fit to ignore the rest of our antipodean designers.
Australian Design
Indigenous Australian Dyed and Printed Textiles
Textile traditions of indigenous Australians have provided an impressive basis for their current divergent development within the framework of introduced technologies. Looks at various textile producing centres around Australia Tiwi, Ernabella, Kaltjiti, Injalak, Keringke, Ngunga Designs, Warta kutju, Kaen design, Djookan design....
Australian Design
Spots n' Dots n' Stars n' Bars
Australian Textile design from an RMIT perspective surveying current and future initiatives - practice based issues of developing guidelines for copyright in an industry that is known for - in polite terms-recycling and reworking proven designs, to the more speculative concept of creating a dialogue in textiles between Australian and other countries via the internet.
Australian Design
Desert Designs
Based in Fremantle, Western Australia, Desert Designs (begun in 1984) is a concept marketing company that deals with authentic Aboriginal art works and acts as a nexus with manufacturing industries to facilitate their transition into products and their entry into retail markets.
Australian Design
SA Designer-makers Turn to Industry
A unique exhibition curated by Steve Ronayne (owner of Aptos Cruz Galleries) held at theJam Factory Gallery in 1996 'South Australia - Emerging crucible of contemporary design' showed just how many local designer-makers of contemporary craft are adopting industrial processes in their work.
Australian Design
Andrew Carter: Theatre Designer to the World
Andrew Carter is a much sought after theatre designer. He is a creator of innovative sets and has received many presitigous commissions.
Australian Design
The Soft Machine
Interview with Andrew Rogers, Director of the ARID industrial design group (within the University of Adelaide's Research precinct). They spoke about the seductive blurrings of boundaries between man and soft machine.
Australian Design
Furniture Design in Western Australia
The present era of contemporary Western Australian furniture design can be thought of as beginning under the influence of David Foulkes-Taylor (1956 until his death in 1966).
Australian Design
Gifted Arts
In 1992 the Premier of WA initiated the Premier's Gift Commissioning Project in conjunction with the Crafts Council of WA inviting artists to design and produce protocol gifts and souvenirs within a lower price range, which though of exclusive design could be manufactured in multiples using light local industrial processes where appropriate.
Australian Design
Serious Fun
Book review Absolutely Mardi Gras
Jointly published by Doubleday and the Powerhouse Museum
1997
RRP $29.95
Australian Design
Inventive Australia
Book review Know-how, the guide to innovation in Australia
Interactive CD Rom published by Powerhouse Publications,
Powerhouse Museum, Sydney NSW
Macintosh/Windows
RRP $99.95
Australian Design
Seeing a Plant: Being a Plant
Exhibition review Stephanie Radok
Greenaway Gallery, Adelaide SA
11 September - 6 October 1996
Australian Design
Petals on a Wet Black Bough
Exhibition review In Remembrance of Things Past... Angela Valamanesh Jam Factory Craft and Design Centre, Adelaide SA
18 October - 1 December 1996
Australian Design
Loungeroom of Ideas
Exhibition review Messy and Restless: Helene Czerny, Julie Duffield, Paul Hoban, Terri Hoskin, Derek O'Connor
Contemporary Art Centre Adelaide SA
1- 24 November 1996
Australian Design
Out of the Kitchen
Exhibition review Masters Exhibitions 1996
12-28 September: Greg Geraghty, Johnathon Dady, Paul Dryga, Namchou Chitma
10-26 October: Rhonda Wheatland, Amanda Poland, Helen Stacey, Elizabeth Abbott, Brian Lynch
7- 23 November: Greg Fullerton, Danielle O'Brien, Julia McGuire, Harekrishna Bag,
University of SA Museum, Adelaide SA
Australian Design
Wanton Fruits
Exhibition review Barbie Kjar
Dick Bett Gallery,
Salamanca Place,
Hobart Tasmania
26 November - 10 December 1996
Australian Design
Share-house Art
Exhibition review Tasmania art co-op: recent works from Australian Artist-Run Initiatives
The Long Gallery, Salamanca Arts Centre, Hobart Tasmania
15 November - 8 December 1996
Australian Design
The Nature of Perception
Exhibition review Howard Taylor: Paintings and Drawings
Galerie Dusseldorf, Perth WA
1- 22 September 1996
Australian Design
Space Defined
Exhibition review Jewellery by Brenda Ridgewell,
New Collectibles Gallery,
East Fremantle WA
20 November - 1 December 1996
Australian Design
The Land made Visible: Native Title Now
Written with Vincent Megaw. Looks at land claims and the role of artworks in these claims in the context of the exhibition 'Native Titled Now' shown as part of the Telstra Festival of Arts 1996. Good overview of indigenous art practice and talks about artists such as Raymond Arone Meeks, Lin Onus, Gordon Bennett, Alice Hinton-Bateup, Avril Quaill, Kerry Giles, Daphne Naden, Mick Namarari, Turkey Tolson, Danie Mellor, Jonathan Kumintjara Brown, Clifford Possum, Ellen Jose, Lindsay Bird Mpetyane, Heather Shearer and Kathleen Wallace.
Indigenous Arts of the Pacific
An Alternative to the Art Market
The market must acknowledge its role in the commidification of indigenous cultures through cultural objects....What the market must acknowledge is the relationship of interdependency which exists between itself and the artists that it promotes and as such, the market must ensure that its actions do not prove detrimental to the artist and the community in the long run.
Indigenous Arts of the Pacific
Tandanya - Captivating Culture
Brief overview of the current focus of Tandanya the National Aboriginal Cultural Institute in Adelaide, South Australia.
Indigenous Arts of the Pacific
New Developments for the Papua New Guinea National Museum
Brief article outlining the current directions and focus for the PNG Museum and Art Gallery in Port Moresby.
Indigenous Arts of the Pacific
Art is Land: Land is Art - Talks with Banduk Marika
Discussion with the artist Banduk Marika about the issues facing her community of Yirrkala in Arnhem Land, Northern Territory. Indigenous art practice and land rights, cultural heritage, education and knowledge, environmental protection and mining intrusions are discussed.
Indigenous Arts of the Pacific
The Waka and the Cattle Truck
What do a traditional Maori canoe (waka) and a cattle truck have in common?...In both these cases these vehicles were conveyors of culture. These images are central to two collaborative works at the second Asia Pacific Triennial of Pacific Art at the Queensland Art Gallery.
Indigenous Arts of the Pacific
Pacific Wave: A Festival of Pacific Arts
Brief article outlining Pacific Wave, a celebration and investigation of contemporary trends in art and cultural life of the Pacific taking place across Sydney November 2-17 1996.
Indigenous Arts of the Pacific
Nucleus: Feeling Compromised
As Judy Watson was about the commence her residency in France, the French Government announced they would be conducting nuclear tests in the Pacific. As an Australian, an Aboriginal, a conservationist, a woman and an artist, she felt compromised. Discusses her work in this context.
Indigenous Arts of the Pacific
Maori Film Images and Intellectual Property Rights - A Breakthrough?
For those depositing films with a significant Maori content, the New Zealand Film Archive has developed a Deposit Agreement which acknowledges that named Maori guardians have spiritual guardianship authority over their image treasures in perpetuity. This goes way beyond white copyright regimes.
Indigenous Arts of the Pacific
Contemporary Maori Architecture - The Case for the Untraditional
One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.
Indigenous Arts of the Pacific
Taki Rua: Bi-cultural Theatre in Aotearoa
Taki Rua Theatre has been at the cutting edge of indigenous theatre since its inception in 1983. It has now produced a season of Maori plays in te reo Maori (Maori language).
Indigenous Arts of the Pacific
Telling it How it is: Pacific Islands Theatre in Aotearoa New Zealand
Pacific Islands Theatre is at an exciting phase in New Zealand. Although relatively young compared to Maori and Pakeha theatre, the debut of key successful plays has placed it in the spotlight of New Zealand's national stage in recent years as it continues to gain strength.
Indigenous Arts of the Pacific
The Art of Survival: The Importance of Contemporary Theatre in Papua New Guinea
In many developing countries where indigenous communities are faced with the rapid process of development, theatre has become an extremely important educational tool. With escalating resource exploitation, rising numbers of sexually transmitted diseases and AIDS and increases in violent crimes by an unemployed and disillusioned youth, the importance of this form of communication cannot be underestimated.
Indigenous Arts of the Pacific
Polynesian Tattoo: A Shift in Meaning
Tattoo played a significant role as a marker of status, wealth, and pride in Polynesian societies. A more fluid, creative tattoo tradition is being practised today.
Indigenous Arts of the Pacific
Creativity in the Forest
In 1994, the small Balai community of Malaita Province, Solomon Islands, commenced paper making which led to the development of printmaking. Small enterprises and ecotourism may well be the future of these small island communities.
Indigenous Arts of the Pacific
Spirit Blong Bubu I Kam Bak [The Return of the Spirits of the Ancestors]
Reflections on an exhibition in Vanuatu of old pieces of ni Vanuatu art held in European collections. Touring Exhibition 'Arts of Vanuatu' 29 June - 10 August 1996 at the National Museum of Vanuatu in the national capital of Port Vila.
Indigenous Arts of the Pacific
The Contemporary Highland Shield: Hybrid Forms in Papua New Guinea
The author examines shield collected in 1995 to discuss issues fundamental to the introduction of the art of emergent societies in an international art context. Issues such as the definition of art and aesthetics, art versus craft, function of art in the various contexts etc...
Indigenous Arts of the Pacific
Oceanic Arts Society of Sydney
Describes the establishment and membership of this new society.
Indigenous Arts of the Pacific
Acting Out the Culture: The Making of Culturally Relevant Theatre, Papua New Guinea
Culturally relevant theatre in education in Papua New Guinea challenges, questions, asserts, transgresses, subverts, opposes, resists and negotiates with the demands of political and cultural relations. It offers new forms of representation and contributes to the process of destabilising and decentering the domination of Western processes of teaching, learning and performance.
Indigenous Arts of the Pacific
Art and Ritual: Aina Asi A Mavaru Kavamu
The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.
Indigenous Arts of the Pacific
Weaving the Old with the New: Textile Art Forms in Niugini
Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.
Indigenous Arts of the Pacific
Dancing the Society: Performing Arts in the Solomon Islands
Performing arts in the Solomon Islands Since the common determining facts in whether to keep, add changes, or reject aspects of the performing arts are based on the dollar, Solomon Islanders will continue to adopt new styles of dances, music, songs and forms of acting in the same way as some Church groups have done.
Indigenous Arts of the Pacific
Educating Public Taste
The National Museum's role in the development of contemporary art in the Solomon Islands. Artists Dick Taumata, Kuai Maueha, Frank Haikiu, Rex Mahuta, Jack Saemala and Billy Vina are discussed.
Indigenous Arts of the Pacific
Pacific Stories from New Caledonia
Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.
Indigenous Arts of the Pacific
Soapstone Workshop
April 1996 at the Pouebo Town Hall northern New Caledonia. A sculptural tradition has always been alive in this area so a workshop was held to explore the use of soapstone sculpture.
Indigenous Arts of the Pacific
The Island Race in Aotearoa
Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.
Indigenous Arts of the Pacific