A Fuller Theory of Art
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84 year old, first one-man show
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Shock Waves in Prospect
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Art History in the Making: SA Sculpture Survey
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Bodies and Branches: Coming Into Contact, works by David Thorp
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Callow Camera: Eight Graduating Photographers from the SA School of Art
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Two Painters: Not Still Lives, Home Cooking Theatre Company, Troupe, February 1983, director Barbara Ciszewska.
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Lawrence Daws by Neville Weston, Reed, Sydney.
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The Proper Study of Art as Nature
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1982, Action Packed Year
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Some notes on New Zealand
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Some recent shows
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Exemplary Objects: Robert Hughes on the New Australian National Gallery
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Alternative Art School- Real at Last
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Through a Left Lens, Darkly: Thinking Photography edited by Victor Burgin, Macmillan
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The Visual Artist and the Law by Shane Simpson, Law Book Company Ltd
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Children's Spontaneous Drawings: an Introduction
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Contemporary British Drawing
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Issues in Black and White
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Ed Douglas: Views of the Earth
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Politics of Art or an Aesthetic for Women? Part 4 (Final)
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Frenetic Vitality
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Photographers Come Out of the Darkroom
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The Case Against the Cuts
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Bottom of the Sepik
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The British Art of Politics
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Quilts: Sentimental Feminism?
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Preview: Portrait of Elizabeth
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The Ideal Photograph
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Burst or Bust: Media Coverage of the Visual Arts
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Changes at the New EAF
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View from the Battlements
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The Politics of Art or an Aesthetic for Women? Part 3
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Prospect: where we are with community arts
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Expressing Women's Worlds: Quantum Leaps-a series of events organised by the Women's Art Movement
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Beating Wings: Recent sculpture by Marcus Champ, Jam Factory Gallery
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The Case for a Gallery
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Picking Up the Pieces
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The Politics of Art, or an Aesthetic for Women? Part 2
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Celebrating Style: Popism at the National Gallery of Victoria, July 1982
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Pain and Pleasure: Vision in Disbelief': Fourth Biennale of Sydney
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It’s a Question of What Kinds of Arguments Remain the Most Visible: The Biennale Forum-A Decade of Feminist Art in Review
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Leaving the Cul de Sac Part 2
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Peter Fuller's 'Aesthetics After Modernism'
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The Politics of Art, or an Aesthetic for Women? Part 1
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Straight Down the Guts
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Community Arts at the EAF
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The Need for More Visual Art Spaces
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Performance Art as Excellence
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Mental Osmosis: Double Vision Event by Ian de Gruchy, The Experimental Art Foundation
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Moving Mountains: Peter C. Webb, paintings at the Contemporary Art Society
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