Exit from Eden (Variation 1)
The Image Issue
Siren and the fisherman
The Image Issue
Untitled pair from Legend and Myth series
The Image Issue
It's always the woman who must save the marriage
The Image Issue
As the serpent struggles
The Image Issue
See - Hear - Speak No Fur
The Image Issue
Plain geometry (putting practice into theory)
The Image Issue
Politics or geography? East and West: The meeting of Asian and European art
Artlink 5:5
Chooser, chosen: Maker's Choice exhibition
Artlink 5:5
Kay Lawrence: A discussion with Jude Adams
Artlink 5:5
Ethics and interviews: Morality and art
Artlink 5:5
Studios in Adelaide
Artlink 5:5
Art from the 3rd and 4th worlds: Old Messages, New Media
Artlink 5:5
Common Ground/Personal I: Contemporary South Australian photographers
Artlink 5:5
Conference: Culture, the Arts, Media and Radical Politics
Artlink 5:5
Job sharing: Two into one can go
Artlink 5:5
Gerard Harpe: Suspended series
Artlink 5:5
The Decade for Women exhibition
Artlink 5:5
The ayes need it: Visual Arts at the Flinders University
Artlink 5:5
Art and technology: Residential workshops
Artlink 5:5
Chronicling the trans-Tasman connection: 1974-1984
Art in New Zealand and Anzart
Anzart installations: Stimulating diversity
Art in New Zealand and Anzart
Performances at Anzart: A description
Art in New Zealand and Anzart
Art in Auckland: A personal view
Art in New Zealand and Anzart
Clear options: Artmaking in Auckland
Art in New Zealand and Anzart
Contemporary dealer galleries in New Zealand
Art in New Zealand and Anzart
Teaching insomniacs to dream: The Wellington art scene
Art in New Zealand and Anzart
The Women's Gallery, Wellington: A herstory
Art in New Zealand and Anzart
The primitivist quality of experimental art in Southern New Zealand
Art in New Zealand and Anzart
Ralph Hotere and Jeffrey Harris in Dunedin
Art in New Zealand and Anzart
Music in Dunedin: Interview with Greg Fox
Art in New Zealand and Anzart
A case for the re-evaluation of Maori art
Art in New Zealand and Anzart
Towards a new beginning: Art education in New Zealand schools
Art in New Zealand and Anzart
Public galleries in New Zealand: An introduction
Art in New Zealand and Anzart
Anzart/Auckland '85: An Australian perspective
Art in New Zealand and Anzart
Friends of the AGSA: A new chapter
Art in New Zealand and Anzart
Youth and family activities at AGSA
Art in New Zealand and Anzart
Symptoms of wider issues
Art and Technology
Innovation: Rewards and frustrations
Art and Technology
Intercontinental creativity
Art and Technology
Artists in scientific institutions
Art and Technology
In-line holography rediscovered
Art and Technology
Art and Technology: An account of an unsuccessful liaison
Art and Technology
Difference: A Radical Approach to Women and Art
Art and Technology
16 New Painters at the CAS
Art and Technology
Decay and decadence: A difference
Art and Technology
The British Show in Perth
Artlink 5:1
Discussion: On Terry Smith's Writing the History of Australian Art ...
Artlink 5:1
Regions of the Mind: 1985 Conference on the Visual Arts, Perth Festival
Artlink 5:1
Narrowing the options: The New Look Sculpture Triennial
Artlink 5:1
The sculpture alternative: Sculpture '85
Artlink 5:1
Making the School of Art profoundly self-respecting
Artlink 5:1
Aboriginal Women's Art Festival, Adelaide
Artlink 5:1
New SA photography surprisingly 'straight': The Developed Image, South Australian School of Art graduate photographers
Artlink 5:1
Images of the Italian family
Artlink 5:1
Art Within Reach: Artists and craftworkers, architect and patrons, in the making of public art
Artlink 5:1
Alive in '85: The Women's Art Movement programme
Artlink 5:1
Crochet to live longer: The Jean Langsford exhibition at W.A.M.
Artlink 5:1
Artists in Residence from The British Show
Artlink 5:1
Portrait of a Distant Land: Aspects of Contemporary Latin American Photography
Artlink 5:1
Tech'n'Dec: Atramentaceous equals inky
Artlink 5:1
John Glover's House and Garden
Artlink 5:1
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