Moet & Chandon touring exhibition: College Gallery
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Ann Newmarch: One Aspect
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Violence and nastiness: Machinehead
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Culture and the critical fan: It's a Sin
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How should we write our history? The Necessity of Australian Art
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Picturing Australia: A history of Photography
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Shifting sands: Changing faces and places of the new year in the Adelaide art picture
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Grace at the South Australian School of Art: Louise Dauth interviews Helen Grace
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Aboriginal art: The Central Desert meets New York / New York meets the Central Desert
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Art and technology: Special section
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Fisea: Report on Australian participation in the First International Symposium on Electronic Art
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Creating by default: A report on the ANAT CAD CAM summer school
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Charlie Chaplin, Stelarc and the future humanity
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Nothing but the set
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Real media, virtual culture: Tech-ing the collective individual in Japan
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There is always a simple solution and it's always wrong: Notes on the visual image in community arts
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It was a slow journey back: Colour photocopies by Paul Hewson and Linda Marie Walker
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The art of Melanie Howard
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South Australian Women Photographers
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Island in the Stream: Myths of place in Australia culture
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"Hello, my name's Richard, and I'm an artist who wants to work with computers."
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Ripe for the picking or to wither on the vine? The state of play in the restructuring of tertiary art education in SA
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The art of video: Home and abroad
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Randelli re-versions: The Australian abyme of tele-nostalgia
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The Third Australian Video Festival: The awards
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Video in Japan: Eizo Bunka: A skewed scenario
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Computers and fine art part 2: Future Directions?
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Archangel Dreaming: A reading
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Archangel Dreaming: Oil and gold leaf on linen
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Art and tec update
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The imagery of sexual identity in recent Australian art: (What) lies beyond inference?
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Visual arts beyond the city: An interview with David Hansen
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Grand impressions: Creating Australia: 200 Years of Art 1788-1988
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Recent Aboriginal Painting
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Teasing history: Ian North's Pseudo Panoramas
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Zen and frottage: Masao Okabe Noosa Gallery
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Confounding prejudice: Paul Saint's Goodbye to All That
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Visiting sculptures: Barossa International Sculpture Symposium
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Changing spaces: An interview with Michael Snelling
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Lasting Impressions: Lithography as Art
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Showdown at the Southern Cross: Notes on the 1988 Australian Biennale
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The new Medicis: Alternatives to corporate sponsorship of the Arts
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The bicentenary and the blockbuster
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Creative solutions at Expo 88
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The new art history? The end of art theory?
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Remaking hi(s)story: Narelle Jubelin's recent work
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Boop, robots and quay: Quik Draws
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Immersed in fiction: Cactus
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Larger patterns: A Bitter Song
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Hovering between private and public: Elizabeth Gertsakis' Innocent Reading for Origin
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View from Poland: Tapestry artist Aleksandra Manchak
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Computers and fine art: A two part series of exploratory essays
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Looby tunes: Humphrey McQueen's Suburbs of the Sacred
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Collaborating in public: Spirit and Space
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A response to Victor Burgin
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The Australian Biennale: An interview with Nick Waterlow
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Moral truths through music: South of the Border
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Powerful emotional dangerous nature sculpture: Nikolaus Lang's recent work
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Considering the politics of questioning: A brief summary of Artists' Week
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Landscape with figures...? The 1988 Adelaide Festival and Aboriginal art
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Aboriginal art in 1988: A complex reality
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Time is a great dealer: Artists' Week Adelaide Festival 1988
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Paula's pub art: Asking to be taken on faith
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The Frames Film Festival
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Commodified media: Right Here, Right Now
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In and out of Frame
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Conversing in Italian: Self Memory and Desire
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Let's hear it for the audience
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A new centre of excellence for the arts?
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New territory: Art in the digital environment
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An exchange of opinion: A letter to Victor Burgin
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An exchange of opinion: A reply to Donald Brook
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Aboriginal cultural policy in South Australia
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Barbara Kruger: Three billboard works
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Desire, bodies and representation
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Ken Orchard: Woodblock prints
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South Australia rephotographed: Sweet and Gall through broken glass
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Brian Eno: Driving me backwards
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New US video: If it's too bad to be true, it could be disinformation
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Anti TV: Installations by Bill Viola
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Art and technology update
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Artists and their work: A potentially fatal attraction
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ARX: Australia and Regions Artists' Exchange
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