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Lisa Reihana: Encounters in Oceania
Nicholas Thomas
Into the Transpocene: The future of Indigenous art
Ian McLean
Introducing the Multiple Modernisms project
Elizabeth Harney and Ruth B. Phillips
Emily Kame Kngwarreye: The impossible modernist
Margo Neale
Tradition and postcolonial modernism in the work of Obiora Udechukwu
Chika Okeke Agulu
Annie Pootoogook: Depicting Arctic modernity in contemporary Inuit art
Heather Igloliorte
Sonabai Rajwar: The museum effect
Jyotindra Jain
Collisions: The Martu respond to Maralinga
Nici Cumpston and Una Rey
The Acti.VA.tions of Rosanna Raymond
Dan Taulapapa McMullin
Becoming‑with and together: Indigenous transgender and transcultural practices
Maddee Clark
Down Under World: Christian Thompson at the Pitt Rivers Museum
Jessyca Hutchens
Indigenous perspectives on museum collections
Jilda Andrews
Fake news, artificial intelligence and data visualisation
Sean Dockray
Speculative space: Artists working with data
Vanessa Berry
EXIT 2008–2015: Exhibiting global crisis
Ann Finegan
Australasian data practices: Mining, scraping, mapping, hacking
Mitchell Whitelaw
Big data: The panoptic medium of the information age
Simon Biggs
Metadata and the rhizome of museum practice
Andrew Yip
Particulate cinema: Visualising data and posthuman physics
Philip Brophy
Hans Haacke and data: Infusing the banality of fact with meaning
Chris Nash
Wild food mapping as global cultural maintenance
Laura Fisher
Zoe Sadokierski and Kate Sweetapple: Unlikely Avian Taxonomies
Thomas Lee
The new capitalist realism: Science fiction in art of the 2010s
Darren Jorgensen
Possible futures: Science fiction in contemporary art
Andrew Frost
Superfictions and adventurism: The art in everyday life
Peter Hill
Virtual reality and the museology of consciousness
Andrew Yip
Losing the big picture: Surviving the Art Hunger Games
Joanna Mendelssohn
Looking for art in all the wrong places; Repositioning art in a regional context
Marco Marcon
Solastalgia and its cure
Ann Finegan
Revealed: We are a sovereign people
Franchesca Cubillo
A short history of Yolngu activist art
Will Stubbs
Tiwi now
Maurice O'Riordan
Kabimbebme: It really pops!
Dan Kennedy
Ngarralja Tommy May: Jila Kurtal
Ngarralja Tommy May
Mobile phone remix: Miyarrka Media
Paul Gurrumuruwuy and Jennifer Deger
The Mulka Project
Wukun Wanambi and Ishmael Marika
Design on country
Raylene Bonson, Maxine Charlie, Gracie Kumbi, Isaiah Nagurrgurrba, Vivian Warlapinni and Frances Grant
Two laws protecting Kimberley rock art
Rosita Holmes and Rona Charles
The rock art of Injalak
Felicity Wright, Melissa Marshall, Garry Djorlom, Christina Djorlom and Roland Burrunali
Warmun Arts. You got a story?
Anna Crane, Frances Kofod and Alana Hunt
The land and sea can't talk; We have to talk for them
Djambawa Marawili, Annette Kogolo and Christina Balcombe Davidson
Let's boycott all biennales!
Ian Milliss
The bicycle as dissident object
Laura Fisher
George Gittoes and the social turn in Afghanistan
Darren Jorgensen
Material thinking and sustainability in contemporary ceramics
Altair Roelants
The new National Gallery Singapore: A monument for intersecting histories
Alan Cruickshank
Korean heat at the Asia Pacific Triennial of Contemporary Art, Brisbane
Alison Carroll
The public good of private museums in Korea
Chang Seung-yeon
We are Korean: Cultural agency is power
David Pledger
The rogue aesthetic practice of crossing the DMZ
Gim Jong-gil
Art–science convergence: High-tech/media/robotics/post-human
Hye Jin Mun
Filling the holes of history with the present: Cho Duck Hyun, Noh Suntag and Jo Haejun
Jung Hyun
Art that embraces the village and its residents
Kim Hae-gon
Art museums rule: State support for grand visions
Kim Inhye
A short guide to modern and contemporary art in Korea
Kim Yi-soon
Ecology and new border paradigms: The Real DMZ Project 2015
Lee Sun Young
An alternative to the Korean Wave
Roald Maliangkay
Cultural conversations: An oral history project
Paul McGillick
Are we engaged or just hanging out? Korea–Australia arts exchange
Sarah Bond
Video and performance art in Korea: A force majeure
Yoo Jin Sang
The world of Dansaekhwa: Spirit, tactility and performance
Yoon Jin Sup
Resilience and imagination: Women and art in Korea today
Phil Lee
Video and performance: Many chronic returns
Robert Nelson
Alicia Frankovich: Toward a republic of the post-human multitude
Tom Rigby
Brian Fuata: Never alone
Amita KIrpalani
Fly In Fly Out artists of Western Australia
Darren Jorgensen and Jessyca Hutchens
Heath Franco: Visceral video
Ashley Crawford
Marina Abramović: Mindful immateriality
Anne Marsh
Pat Hoffie been there and back again
William Platz
Perspectives on contemporary dance
Julianne Pierce
Emily Kame Kngwarreye in Japan
Gay McDonald and Laura Fisher
Fragrant Lands: There’s all our country
Philip Watkins
Globalising teaching and learning in Indigenous Studies
Bronwyn Carlson
Grassroots cultural exchange between western New South Wales and the Philippines
Ruben Allas
Georgia MacGuire: In her skin
Laura Skerlj
Karla Dickens: It’s not bloody art, it’s work!
Yiorgos Zafiriou
Lena Nyadbi: Dayiwul in Paris
Jonathan Kimberley
Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art
Nici Cumpston
Towards an outward-looking Indigeneity
Michelle Evans
Unmapping the End of the World
Jonathan Kimberley and Yhonnie Scarce
We are born of the Fanua: Moananui arts practice in Australia
Léuli Eshraghi
Recalling history to duty: 100 years of Australian war art
Ryan Johnston
Trench art: Sappers and shrapnel
Lisa Slade
The Aboriginal Memorial to Australia’s forgotten war
Djon Mundine
Traumascapes revisited
MarIa Tumarkin
Visit Kandos: Cement a friendship
Ann Finegan
The beginnings and ends of bio art
Suzanne Anker
Helen Pynor: Confounding clear separations
Marius Kwint
Holding the line: The Adelaide Central School of Art across 30 years
Chris Orchard
The Biotech species
Melentie Pandilovski
Unintelligent, inefficient: The limit to biological design
Stuart Bunt
Photosynthesis, electric motor symbiotic machine
Ivan Henriques
Speculative biology in the practice of Pinar Yoldas
Ingeborg Reichle
In defence of Bioartwork
Donald Brook
Syncretic strategies: Art in the time of the Fourth VR
Roy Ascott
Vital maintenance: Tissue Culture & Art
Jennifer Johung
The challenges of working with bacteria as an artistic medium
Anna Dumitriu
Breaking the cycle: Life, death and resurrection in the art of Svenja Kratz
Tara Heffernan
Nanoart
Paul Thomas and Pruedence Gibson
Toxicity: An exhibition curated by Melentie Pandilovski and Jennifer Willet
Niki Sperou