Search - Artlink

Does art need bush-hammering? The ANG building and its rationale

Joan Kerr

Artlink 3:6

Guide for the perplexed: A postscript to our feature on venues for contemporary art

David Sless

Artlink 3:6

Art performance: A brief biography (Part One)

Ailsa Maxwell

Artlink 3:6

Corporate sponsorship: The facts

Pat Gilmour

Artlink 3:5

A word from our sponsor: The Museum and the Market

Donald Brook

Artlink 3:5

Middle White Major: Fattening up

Michele Luke and Andrew Petrusevics

Artlink 3:5

Art and technology

Claudio Pompili

Artlink 3:4

Brook seminar: Question time

Ken Bolton

Artlink 3:4

The world of the marvellous

Heather Bonnin

Artlink 3:4

New venue for Women's Art Movement

Anne Marsh

Artlink 3:4

Designing human environments

David Roocke

Artlink 3:4

Computers and artists

Brian Abraham

Artlink 3:4

International photography: 100 images from the collection of the National Gallery of Victoria

Heather Bonnin

Artlink 3:3

Open Sandwich: Provisions for the future

Jude Adams

Artlink 3:3

Mixing it Anzart-Style

Stephanie Britton

Artlink 3:3

WAM at Anzart

Anne Marsh

Artlink 3:3

An Art Gallery Service - Option on a Dream

Don Hein

Artlink 3:2

Mr Freud and Painting in Britain

Peter Dormer

Artlink 3:2

Ideas on Ice: The Union Tells

Artlink 3:2

Terrific North Terrace

Marcus Beresford

Artlink 3:2

About Face

Kirsi Hiltula

Artlink 3:2

Women's Performance Art from Australia to Japan

Anne Marsh

Artlink 3:2

Visual's Arts Board's Overseas Studios

Mary Shaw

Artlink 3:2

Contemporary Music-a New Move

Claudio Pompili

Artlink 3:2

A Fuller Theory of Art

David Thorp

Artlink 3:1

84 year old, first one-man show

Paul Bishop

Artlink 3:1

The Proper Study of Art as Nature

David Lyons

Artlink 3:1

1982, Action Packed Year

Anne Marsh

Artlink 3:1

Some notes on New Zealand

David Kerr

Artlink 3:1

Some recent shows

Artlink 3:1

Exemplary Objects: Robert Hughes on the New Australian National Gallery

Donald Brook

Artlink 2:6

Alternative Art School- Real at Last

Rosemary Brooks

Artlink 2:6

Children's Spontaneous Drawings: an Introduction

Paul Duncum

Artlink 2:6

Contemporary British Drawing

Peter Dormer

Artlink 2:6

Coast Watch

John Neylon

Artlink 2:6

The Awakening Giant

Marcus Beresford

Artlink 2:6

Politics of Art or an Aesthetic for Women? Part 4 (Final)

Griselda Pollock

Artlink 2:6

The CYSS Show

Ian Hamilton

Artlink 2:6

Frenetic Vitality

Pam Waite

Artlink 2:6

Photographers Come Out of the Darkroom

Karin Rijkuris

Artlink 2:5

The Case Against the Cuts

Neville Weston

Artlink 2:5

Bottom of the Sepik

Barry Craig

Artlink 2:5

The British Art of Politics

Peter Dormer

Artlink 2:5

Quilts: Sentimental Feminism?

Ailsa Maxwell

Artlink 2:5

The Ideal Photograph

David Broker

Artlink 2:5

Burst or Bust: Media Coverage of the Visual Arts

Marcus Beresford

Artlink 2:5

Changes at the New EAF

David Kerr

Artlink 2:5

View from the Battlements

John Neylon

Artlink 2:5

The Politics of Art or an Aesthetic for Women? Part 3

Griselda Pollock

Artlink 2:5

Prospect: where we are with community arts

Trish McLaine

Artlink 2:4

The Case for a Gallery

Phillip Bannigan

Artlink 2:4

Picking Up the Pieces

John Neylon

Artlink 2:4

Brisbane Races Ahead

Marcus Beresford

Artlink 2:4

The Politics of Art, or an Aesthetic for Women? Part 2

Griselda Pollock

Artlink 2:4

Pain and Pleasure: Vision in Disbelief': Fourth Biennale of Sydney

Virginia Hollister

Artlink 2:3

Leaving the Cul de Sac Part 2

Peter Dormer

Artlink 2:3

The Politics of Art, or an Aesthetic for Women? Part 1

Griselda Pollock

Artlink 2:3

The Temporal Arts

Kyriaki Maragozidis

Artlink 2:3

Straight Down the Guts

Lynn Collins

Artlink 2:3

Community Arts at the EAF

Jude Adams

Artlink 2:3

The Need for More Visual Art Spaces

Marcus Beresford

Artlink 2:3

Performance Art as Excellence

Anthony Howell

Artlink 2:3

Rendering Deviance Legible

Jody Berland and Edward Colless

Going from Here: Porter Street and Beyond

John Neylon

The Quiet Achievers

Marcus Beresford

Art and Technology

John Edwards

Art Work in Social Contexts

David Kerr

Warehouse Art - Sydney

Lani Weedon

What we are doing with the art class - A response to Donald Brook's What Can We Do With the Art Class* (Artlink March 1982 )

Donald Richardson

The Art Class...A Rejoinder

Donald Brook

Some Festival Exhibitions

Margaret Dodd

What can we do with the art class?

Donald Brook

Kenya: Remnants of Colonialism

Leigh Hobba

Bridging Adelaide: a Document

Gavin Blake and Ashley Holmes

Public vs Private: the Arts Grants Challenge Match

David Kerr

Visions for North Terrace

Marcus Beresford

Quantum Leaps: Women's Art Show, Adelaide July/ August 1982

Art to the Provinces

John Neylon

Hook-up: Leaving the Cul-de-sac

Peter Dormer

Krzysztof Wodiczko in Adelaide

Ailsa Maxwell

'This is no joke- I am performing-some writing': Part 2

Dorothy Thompson

Surdus and Alogos

Space in New York

Ron Rowe

Discovering Adelaide's glass

Marcus Beresford

Artnotes

Steve Wigg

'This is no joke-I am performing- some writing': Part 1

Dorothy Thompson

Finding the connection

Jude Adams

Making memorable images

Ruth Angove and Michele Bain

Edwards Report: Bum steer for the Art Gallery?

Marcus Beresford

Providing space for many

Ron Rowe

Women and Art Conference

Anne Silbereisen

Hook-up: The haves and the have nots

Hook-up: Gilbert and George: Playing Wicked Games

Peter Dormer

Artlaw: Integrity of the Object

Bill Morrow

On seeing visions: Centenary Show at Art Gallery of SA

Stephanie Britton, Donald Brook, Jude Adams, Neville Weston and Ivor Francis

Ron Radford replies

Ron Radford and Stephanie Britton

The hidden variable

Catherine Cherry

Artist-in-Residence Leonie Gregory

Pon Singh

Slowing down in New York

Rob Gutteridge

Monumental mixture

Marcus Beresford