Performances at Anzart: A description
Art in New Zealand and Anzart
Art in Auckland: A personal view
Art in New Zealand and Anzart
Clear options: Artmaking in Auckland
Art in New Zealand and Anzart
Contemporary dealer galleries in New Zealand
Art in New Zealand and Anzart
Teaching insomniacs to dream: The Wellington art scene
Art in New Zealand and Anzart
The Women's Gallery, Wellington: A herstory
Art in New Zealand and Anzart
The primitivist quality of experimental art in Southern New Zealand
Art in New Zealand and Anzart
A case for the re-evaluation of Maori art
Art in New Zealand and Anzart
Towards a new beginning: Art education in New Zealand schools
Art in New Zealand and Anzart
Anzart/Auckland '85: An Australian perspective
Art in New Zealand and Anzart
Symptoms of wider issues
Art and Technology
Innovation: Rewards and frustrations
Art and Technology
Intercontinental creativity
Art and Technology
Artists in scientific institutions
Art and Technology
In-line holography rediscovered
Art and Technology
Art and Technology: An account of an unsuccessful liaison
Art and Technology
Difference: A Radical Approach to Women and Art
Art and Technology
Discussion: On Terry Smith's Writing the History of Australian Art ...
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Regions of the Mind: 1985 Conference on the Visual Arts, Perth Festival
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Aboriginal Women's Art Festival, Adelaide
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Alive in '85: The Women's Art Movement programme
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Artists in Residence from The British Show
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Portrait of a Distant Land: Aspects of Contemporary Latin American Photography
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Tech'n'Dec: Atramentaceous equals inky
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John Glover's House and Garden
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Something for Everyone
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Fluxus in Houston - The Gilbert and Lila Silverman Collection, Contemporary Arts Museum, Houston
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No Apathy in the Belly of the Beast
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Some Degree of Convergence
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Aboriginal Women's Unit Within W.A.M.
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The State of Aboriginal Art
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The Art Gallery: Serious about community involvement
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Art by Living Artists: Laurie Anderson, Robert Rauschenberg, Trisha Brown
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Death of the New: The 1984 Venice Biennale
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Community Arts in SA
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Prospects in Prospect
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Art/Work Progresses
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Community Arts Network of South Australia Incorporated
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Artists in Schools
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Angela Lynkushka. Social Documentary Photographer
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Political Posters: Causes Truth Rules Truth Rules II
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The Arts and Unemployment
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Aboriginal Women's Workshops 1984/85
Feminist Perspectives
Black Womens' Action needs your help!
Feminist Perspectives
Art and Society: Analysis of Community Art
Feminist Perspectives
Women's Art Movement A.I.R.
Feminist Perspectives
Gender in Art Practice: Gender does have an effect on content, training and career
Feminist Perspectives
The Sydney Biennale: The Personal Statement
Feminist Perspectives
Sexism and the Art Gallery of South Australia
Feminist Perspectives
Reporting on the Report: An update from the Art Gallery of SA
Artists Week Forums 1984
Jamming at the Jelly Factory: Impressions of Artists Week in Adelaide
Artists Week Forums 1984
Artists Week Forums - The Image-Go-Round: Mass Media, Style and Art
Artists Week Forums 1984
Artists Week and the Artists' Gallery?
Artists Week Forums 1984
New Option for School of Art?
Artists Week Forums 1984
A Victim of Wilful Neglect, The South Australian School of Art: A Recent History
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Towards 1984: Farmyards, Art Schools and the Marketplace
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The Rod and the Staff: or Where did all the teachers go? Results of research by a 4th year student
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How to find your way through Common Course ... or ... Even Duchamp was lost occasionally
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Theory and Practice in the Art School
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The WAM Window Space
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Masquerade and Puppetry
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Contemporary Art Society: Being Old
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Juan Davila - New work on show at E.A.F.
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Adelaide Central School of Art: One Year On
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Reflections on The State of Art: The Art of State
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What to do with new art: The Australian National Gallery - A case in point
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Artworkers' viewpoints
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