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Alien corn
Timothy Morrell
Artlink 9:2
Shifting sands: Changing faces and places of the new year in the Adelaide art picture
Adrian Weston
Artlink 9:1
Aboriginal art: The Central Desert meets New York / New York meets the Central Desert
Allen Kurzweil
Artlink 9:1
Fisea: Report on Australian participation in the First International Symposium on Electronic Art
Louise Dauth
Artlink 9:1
The AI paradigm
Harold Cohen
Artlink 9:1
Creating by default: A report on the ANAT CAD CAM summer school
Richard Brecknock
Artlink 9:1
Charlie Chaplin, Stelarc and the future humanity
Simon Penny
Artlink 9:1
Nothing but the set
Frances Dyson
Artlink 9:1
Real media, virtual culture: Tech-ing the collective individual in Japan
Alfred Birnbaum
Artlink 9:1
There is always a simple solution and it's always wrong: Notes on the visual image in community arts
Jude Adams
Artlink 9:1
"Hello, my name's Richard, and I'm an artist who wants to work with computers."
Richard Grayson
Artlink 9:1
Ripe for the picking or to wither on the vine? The state of play in the restructuring of tertiary art education in SA
Louise Dauth
Artlink 8:4
Video in Japan: Eizo Bunka: A skewed scenario
Keiko Sei
Artlink 8:4
The Creative City Seminar
Tony Strachan, Penny Ramsay and Richard Brecknock
Artlink 8:4
Computers and fine art part 2: Future Directions?
Sally Pryor
Artlink 8:4
Archangel Dreaming: A reading
Linda Marie Walker
Artlink 8:4
Archangel Dreaming: Oil and gold leaf on linen
Melanie Howard
Artlink 8:4
The imagery of sexual identity in recent Australian art: (What) lies beyond inference?
Terry Smith
Artlink 8:4
Showdown at the Southern Cross: Notes on the 1988 Australian Biennale
Dan Cameron
Artlink 8:3
The new Medicis: Alternatives to corporate sponsorship of the Arts
Anita Aarons
Artlink 8:3
The bicentenary and the blockbuster
Joan Kerr
Artlink 8:3
Creative solutions at Expo 88
Stephanie Britton
Artlink 8:3
The new art history? The end of art theory?
Jude Adams
Artlink 8:3
Computers and fine art: A two part series of exploratory essays
Sally Pryor
Artlink 8:3
A response to Victor Burgin
Donald Brook
Artlink 8:2
Considering the politics of questioning: A brief summary of Artists' Week
Pat Hoffie
Artlink 8:2
Landscape with figures...? The 1988 Adelaide Festival and Aboriginal art
Janet Maughan, Vincent Megaw, Ruth Megaw and Polly Sumner-Dodd
Artlink 8:2
Aboriginal art in 1988: A complex reality
Marcia Langton
Artlink 8:2
Time is a great dealer: Artists' Week Adelaide Festival 1988
Tom Phillips
Artlink 8:2
Paula's pub art: Asking to be taken on faith
Edward Irons
Artlink 8:2
The Frames Film Festival
Karen Jennings
Artlink 8:2
A new centre of excellence for the arts?
Donald Brook
Artlink 8:1
New territory: Art in the digital environment
Simon Penny
Artlink 8:1
An exchange of opinion: A letter to Victor Burgin
Donald Brook
Artlink 8:1
An exchange of opinion: A reply to Donald Brook
Victor Burgin
Artlink 8:1
Aboriginal cultural policy in South Australia
Adrian Marrie
Artlink 8:1
Barbara Kruger: Three billboard works
Barbara Kruger
Artlink 8:1
Desire, bodies and representation
Elizabeth Grosz
Artlink 8:1
Ken Orchard: Woodblock prints
Sarah Follent
Artlink 8:1
New US video: If it's too bad to be true, it could be disinformation
Martha Rosler
Artlink 8:1
Artists and their work: A potentially fatal attraction
Sue Pavasaris
Artlink 8:1
News from the National Association for the Visual Arets
Stephanie Britton
Artlink 7:4
Desktop publishing: The new revolution

The genesis of desktop publishing, definition, what it offers the artist and success stories

Claudia Ivanoff
Art & Technology
Simulation digitalization interaction: Implications of computing in the Arts
Simon Penny
Art & Technology
Cleaning up computer graphics
Donald Brook
Art & Technology
The anthro-cake in the sky
Allan Vizents
Art & Technology
Artists, technology and economic survival
Peter Ellyard
Art & Technology
Back and beyond: A brief history of the Australian Art and Technology project
Francesca Da Rimini
Art & Technology
Making the pace: Interactive video disk computer based training
Alan Keys
Art & Technology
Computer aided imaging: (Just) another medium
Peter Robertson
Art & Technology
Real hands and pseudo-space
Adam Wolter
Art & Technology
Dianne Mantzaris
Diane Mantzaris
Art & Technology
Monument 1987
Robert Thirlwell
Art & Technology
Artist-in-residence: Canberra School of Art and Bureau of Mineral Resources Canberra
Robert Thirlwell
Art & Technology
From Portapak to Artpak: A preface to the 1987 Sony Video 8 Artpak Workshops
Francesca Da Rimini
Art & Technology
Camera, mythica: Cinderella, the video star
Jean-Marc le Pechoux
Art & Technology
Image through process
Sally Pryor
Art & Technology
Video music, video art, video culture
David Broker
Art & Technology
A video feast: Australian Video Festival
Jill Scott
Art & Technology
Pieces of 8: New works, Sony Video 8 Workshops
Sei Shikibu, Ross Harley, Michelle Andringa, Richard de Souza and Greg Warner
Art & Technology
Five frames
Tim Gruchy and Andrew Petrusevics
Art & Technology
The swingshift in video production: Randelli
Robert Randall and Frank Bendinelli
Art & Technology
Structure without substance: Video as architecture
Peter Callas
Art & Technology
Catwoman
Jill Scott
Art & Technology
Video art, past and future: An enquiry into art and technology
Wolf Vostell
Art & Technology
About 20,000 words too few on new media in Europe
Simon Biggs
Art & Technology
On stream: New energy for German video art
Wolfgang Preikschat
Art & Technology
The computer since 1804: Jacquard to CAD/CAM
Garry Benson
Art & Technology
Hands and heads: Manufacture design and craft in Australia
Lyn Tune
Art & Technology
Ideas people: Artists in the industrial sphere
Pam Johnston, Ian Johnston and
Art & Technology
Cutting glass with water: Case history of a technical revolution
Rob Knottenbelt
Art & Technology
The relationship between the body and the object: The body as matrix
Lyn Tune
Art & Technology
Half a century of electric music
Tristram Cary
Art & Technology
My pianist and other software: A beginner's guide to terms in music technology
Jaroslav Kovaricek
Art & Technology
Key shift: Some current musical applications of technology in Australia
Graeme Gerrard
Art & Technology
Fine tuning
Warren Burt
Art & Technology
Improving the classical guitar with modern technology
Simon Marty
Art & Technology
Art communicates OK!
Jan Birmingham
Art & Technology
Artist as interfacer: Interactive telecommunications systems used by artists
Eric Gidney
Art & Technology
Plunder: Telecommunications research experimentation
Jeanelle Hurst
Art & Technology
Remembrance of things to come
Stephen s'Soreff
Art & Technology
Art is money
Gordon Burns
Artlink 7:1
My Spring Festival pictures: A brief history
Wen Jun
Artlink 7:1
SA Spex
Stephanie Britton
The Image Issue no 2
Of Shared Pleasures in Silent Dialogue
Alan Cruikshank
The Image Issue no 2
Salvaged from the Plot of our Favourite Movie
Rose Woodcock
The Image Issue no 2
Sanctuary no 1
Robert Boynes
The Image Issue no 2
Per Ardua ad Astra
Juilee Pryor
The Image Issue no 2
Icon Series I, II, III, IV
Mary Nikitaras
The Image Issue no 2
Untitled
Julia Moretti
The Image Issue no 2
Martyr for Drawing
Christopher Coventry
The Image Issue no 2
Image of Woman as a Pillar of our Culture
Maggie Savage
The Image Issue no 2
Beauty and the Beast
Fay Poole
The Image Issue no 2
It's a Dog's Life
Linda Paterson
The Image Issue no 2
Excerpts from the Diary of a Failed Racing Car Driver: Nos 1, 2 & 3
David Watt
The Image Issue no 2
Stopping to Think
Marijana Tadic
The Image Issue no 2
Bill Hayden on Overseas Tour, Lionel Murphy's Law, and John Howard's New Right Policy
Andrew Petrusevics
The Image Issue no 2
The Passion of Joe Byrne
Wayne Fimeri (Fimo)
The Image Issue no 2
Kay, Ellie and Toby - Angorichina Village
Michal Kluvanek
The Image Issue no 2
Untitled
Lani Weedon
The Image Issue no 2
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