More from this Issue
Chris Hopewell
Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994
A Cemetery for the Community: Enfield Memorial Park, South Australia
Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.
600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).
Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation
Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.
Symmetry: Craft Meets Kindred Trades and Professions
Exhibition review Symmetry: Crafts and Kindred Trades and Professions Curated by Kevin Murray
University of South Australian Art Museum
8 September - 8 October 1994
Familiarity? Re-Examining Australian Suburbia
Exhibition review Familiarity? Re-examining Australian Suburbia
Mikala Dwyer, Michele Beevors, Glen Clarke, Elizabeth Woods, Tony Schwenson and Aleks Danko
Curated by Brian Parkes
Plimsoll Gallery, University of Tasmania
23 September - 16 October 1994
Cinema, Death and the Abject
Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.
Death, Pleasure and Gender in Film
The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.