More from this Issue
Unpacking My Cultural Bundle
I migrated to Australia from China in March 1983 with nothing but 60 kg of books and manuscripts plus a big cultural bundle - all the things; the Classical Literature, the History and the Philosophy that I had been taught over the last 24 years....
Multicultural Artworkers: Sacrificial Anodes?
This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!
Arriving at a Sense of Position
At times, life feels like a collection of unrelated events, a necklace without the string. Christl Berg writes of her experiences of leaving Germany when she was 25 and having lived in three different continents with three different cultures at varied stages in her life.
A Very Personal View
A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.
Reflecting the Mix - Insights: Visual Resource Guide to Film and Video
If mainstream television is not our main source of accurate images, how do people gain access to programs which reflect our society in realistic and creative ways?
Juggling the Roles
Exhibition Review: An Art and Working Life Project
Hosted by the Working Women's Centre Prospect Gallery
South Australia
March 1991
As Australian as AMPOL
How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.
Beginning in the Middle
Reflections on an exhibition of abstract art at Linden Gallery St Kilda, Melbourne March 1991. An emigrant artists once said to me "I can never abandon the figure and make purely abstract art, after all I am Greek".
Realising Our Land of Promise
Looks at a number of community arts residencies undertaken in South Australia and the art practices of Andrew Hill and Eugenia Hill.
How Clay Speaks for Neville Assad
The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?
Multicultural Arts: Development and Change in Brisbane
It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.
4 Artists from WA
Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.