More from this Issue
Multicultural Arts: Development and Change in Brisbane
It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.
Julia Ciccarone
The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.
Silvia Stansfield
The ceramic work of Silvia Stansfield draws on the cultural legacy of South America. Discussion of the work of this artist with good colour photographs.
Metaphors of Multiculturalism
Palimpsest...Vision of a multicultural Australia. An exhibition co-ordinated by the Multicultural Arts Trust of South Australia, December 1990 Chesser Gallery Adelaide. Great colour photos.
Are You Being Served? An Open Invitation from MAC
Multicultural Artworker's Committee [MAC] aims to provide all citizens with equal opportunity to access and promote art in its various forms.
Mixing it in Broome and Darwin
The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.
People's Cultural Action in Australia: The PACIN Experience
Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.
Emoh Ruo: Homage to the Art of the Home
Exhibition Review: Paula Hart, Paul O'Connor, Sarah Toohey and friends Crafts Council Gallery
Perth Western Australia
February - March 1991
Cultural Iconographies
Cultural Iconographies is an exhibition of work by migrant and refugee artists who have been in Australia for a relatively short time. To take place in the Bondi Pavilion, Sydney during Carnivale October 1991.
Theatre Oneiron Crosses Cultural Bridges
Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.
Images from the Esperanto Suite
During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.