More from this Issue
Traces of Light: An Interview with Thierry Kuntzel
The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.
Fred Truck's ArtEngine
A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.
Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Biennale of Sydney Authority = Potential
The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.
Looking Back: A decade of Artlink 1981 -1991
History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.
Ausgraph 90 Arts and Video Show
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
Powder: Four Adelaide Sculptors
Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
October 1990
Art in Space
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.
Art in Vietnam Now
A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.
Ripples from the Margin: Refractory Speculations on the Myths of Oz
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.
Contemporary Soviet Art
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?