More from this Issue
Strategies for Debunking the Myth of Artist as Wanker
or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.
Briefly, Two Epics
Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994
Self-Starting Sculpture
The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?
Surviving the Recession
How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?
Jemmy Caution
Exhibition review Jemmy
Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg
Curated by Alan Cruikshank
Ebenezer Studios Basement
February 18 - March 13 1994
Income, Outcome? Hard Times for Artists + Industry
As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.
Roads, Rates and Renaissance
Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.
A View of the Perennials
Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993
Dial Up for Rewards
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.
Noarlunga: Backwater No Longer
The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.
Pav Offers Sweet Success
Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.