More from this Issue
Critical Mass/ City Art/ Artists' Initiatives
A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.
Strategies for Debunking the Myth of Artist as Wanker
or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.
Briefly, Two Epics
Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994
Missing in Action
Book review Body and self: Performance Art in Australia 1969 -1992
By Anne Marsh
Oxford University Press Australia 1993
Drawing Wages
Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.
Surviving the Recession
How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?
Showing Art On Your Terms
Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.
Whitechapel Meets Eastenders
Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.
The Jeweller's Apprentice
"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."
Adelaide Installations: Adelaide Festival
Review Adelaide Installations Adelaide Festival South Australia Various locations 25 February - 13 March 1994
Jemmy Caution
Exhibition review Jemmy
Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg
Curated by Alan Cruikshank
Ebenezer Studios Basement
February 18 - March 13 1994
Dial Up for Rewards
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.