More from this Issue
Crossovers - Site Works and Symposium
Exhibition review Crossovers: Site works and symposium
Tasmanian School of Art and various locations, Launceston, Tasmania 26 September - 2 October 1994
Cinema, Death and the Abject
Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.
Monstrous Gorgeous
Exhibition review Monstrous Gorgeous
Curated by Virginia Barratt
Contemporary Art Centre, Adelaide, South Australia
8 July - 7 August 1994
Death in Excess: Nuclear Imagery
Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.
Familiarity? Re-Examining Australian Suburbia
Exhibition review Familiarity? Re-examining Australian Suburbia
Mikala Dwyer, Michele Beevors, Glen Clarke, Elizabeth Woods, Tony Schwenson and Aleks Danko
Curated by Brian Parkes
Plimsoll Gallery, University of Tasmania
23 September - 16 October 1994
Chris Hopewell
Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994
Death: A Post-Mortem
Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.
Learning to Understand: Art Helps to Dispel Ignorance
The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.
Symmetry: Craft Meets Kindred Trades and Professions
Exhibition review Symmetry: Crafts and Kindred Trades and Professions Curated by Kevin Murray
University of South Australian Art Museum
8 September - 8 October 1994