Diaspora
Vol 31 no 1, 2011
Diaspora: guest editor Lisa Havilah The movement of individuals and cultures across nations is increasingly complex and constantly changing. What impact do the shifting cultures of Australia have on contemporary visual arts practice? A number of exhibitions have highlighted the importance of artistic production by diasporic artists to the evolving geography of global contemporary art, and have shown how the experience is differently processed. Artists from Africa, Asia and the Middle East bring with them attachments to home as they move elsewhere for political, social or economic reasons and this process becomes central to their creative practice. What are the uses and misuses of the concept of diaspora in Australia? How does that relate to that particularly Australian term - multiculturalism? Do we over-determine the cultural identities of artists?
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Flight: Philippines
Flaudette May V. Datuin, FeatureAssociate Professor at the University of the Phillipines and visiting research fellow at the University of New South Wales Flaudette May V. Datuin looks at the complex ideas of home, absence and presence in the work of artists examining the lives of Overseas Filipino and Filipina workers (OFWs).
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Articles in this issue
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Artrave: Artrave

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Book review: Andrew Drummond: Observation/ Action/ Reflection

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Editorial: I am not a number or a postcode. I am not the same as I was last year. This moment changed me

- ETW: Exhibitions to Watch
- Feature: Altered State: Conversations with Artist James Newitt
- Feature: Creative Adaption and Continuing Conversations
- Feature: Curious and Collaborative: Encounters in Tokyo, Singapore & Yogyakarta
- Feature: Flight: Philippines
- Feature: Gwangju Summer: Open 2010
- Feature: Iran: Scripts of Despair and Love: Nasim Nasr & Siamak Fallah
- Feature: Manifesta 8: Seeking a Dialogue with Africa
- Feature: Old Categories, New Frameworks: Asia-Australia
- Feature: Open House Singapore Biennale 2011
- Feature: Places that name us
- Feature: Reconnecting the Dots: Next Sydney Biennale Directors
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Feature: Traditional Skills: Refugees

- Feature: Transcultural Radical
- Feature: Unrequited Language: Khaled Sabsabi
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Feature: Weeds without Frontiers: Stephanie Radok

- Feature: Wrong Solo
- Polemic: After the Deluge
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Preview: Fremantle Arts Centre The Knife's Edge: video recently seen in Beijing

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Preview: Patricia Piccinini: Once upon a time

- Review: 21st Century: Art in the First Decade
- Review: AlphaStation/Alphaville : Luke Roberts
- Review: BLOODBATH
- Review: Freehand: Recent Australian Drawing
- Review: Hermannsburg: echoes in the landscape
- Review: Home Open: Fremantle Artists and Their Collections
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Review: John Barbour: Work for Now

- Review: Life, death and magic: 2,000 years of Southeast Asian ancestral art
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Review: MONANISM

- Review: MONANISM
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Review: Pmere Arntarntareme / Watching This Place

- Review: The Naked Face: Self-Portraits
- Review: The Quod Project: Tania Ferrier
- Review: The whole and the sum of its parts: Kate Scardifield
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Review: Trace: Rosemary Burke

