Friends of Hanoi
Efforts to save the ancient city of Hanoi from redevelopment - an Australian businessman raises money and support
More from this Issue
Trailblazers Recognised at Last
3 major influences. Nguyen Sang (1923-1988) painted in a politically charged and nationalistic mode but always as a personal expression. Bui Xuan Phai (1920 - 1988) painted small streetscapes depicting the soul of old Hanoi, a nostalgic view. Nguyen Tu Nghiem (1922-) was more innovative looking again at ancient village sculpture in pagodas and paradoxically moves closer to a Modernist style.
Art of Social Concern
A survey of the role played by politics in art and vice versa before during and after Independence from the Dutch. Artists were employed by political parties to promote their ideologies; by 1950 artists rejected this. Some were arrested for depicting social realities. 20 years later a new group took up the baton, and again incurred the displeasure of the government. Humour was adopted as a means of expressing truths.
An Australian Creates Space in Manila
From 1989 - 1991 artist Neil Roberts found himself engaged on a series of working visits to the Philippines. He decided to use only local materials, striking a welcome chord with his hosts. His tendency towards sparse presentation was in sharp contrast to the overload of the installations and paintings of local artists, echoing the contrast between Australian and Filipino attitudes to space. At ARX in Perth he collaborated with Cesare Syjuco who has the ART-LAB space in Manila.
Posturings under the Bodhi Tree: The selling of Pseudo-Religion
Thai artists of the 'Buddhist Revival' claim to make Buddhist art just because they use the visual conventions of that tradition. The Tantric mandalas have been widely misappropriated. As soon as you take temple art out of the temple you run into difficulties of definition and authenticity. There is still traditional Buddhist art being made in the temples, but there is a great trade in pseudo-Buddhist art which is cheap and damaging.
Australia Asia: Striking Up Conversations
Collection of items (some by other writers) relating to Asia and Australia: Adelaide Installations, and women in film program both in Adelaide Festival; Aboriginal connections with Indonesia; Australia-Taiwan exchange; art education exchanges throughout the Region; letter from Nguyen Thu of Hanoi College of Art.
Images of Women by Women
Women are producing some of the most challenging art in the Philippines by using feminist themes and achieving a synthesis of art and feminism. These are drawings, paintings, 3D works in all media from papier machŽ to stone, and performance art. The work is confronting, emotive, full of vitality. Images are drawn from the kitchen, childcare, main domination, domestic surroundings and the natural world.
Metaphor for a Delicate Balance
Artist Noelene Lucas describes the rationale behind the work The Presence of the Centre which she made at Silpakorn University in Bangkok during a residency. It deals with her perception of the landscape of theAustralian Centre as seen from 11,000 metres flying to Thailand, and the fragmentary way we perceive. It is a metaphor for negotiating our position in the world.
Curtin University Connects with Singapore
Curtin University developed ties with Indonesia, Singapore and Thailand since its foundation in the sixties, initially through Engineering and Business and then through the Design School spearheaded by artist-lecturers Nola Farman, Paum Gaunt and Head of Design John Teschendorff. Frequent visits and exchanges and enrolling Asian students have all helped the School of Art there to identify as a South East Asian art school.
Women Artists in Bali
The author organised an exhibition of work by Balinese women artists to travel to Australia with a grant from the Australia-Indonesia Institute. She took a year to research and collect work and discovered a great deal about how and why the work was made. Her brief was inclusive - not just painting but craft including the famous woven textiles and temple offerings.
Refocusing the Gaze
Review of the First Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Sept - Dec 1993. The rationale for selection, search for different voices from each country, enormous diversity, some common threads eg experience of colonisation; politicisation; role of religion in some countries. Dramatic performances by Dadang Christanto (Indonesia) and S. Chandrasekeran (Singapore). Theme of environmental pollution also appears in several works.
Strange Encounters
'Art Festival: Temples and Cemeteries' is an unusual event held in Chiang Mai over three months. Organiser Uthis Utimana, lecturer at Chiang Mai University, chose to show art in temples and cemeteries as Thai people are more familiar with them than art galleries and they encourage people to contemplate life. Artists ran into trouble with religious and education authorities who misunderstood some of the pieces but were undeterred.
Fine Art in Ho Chi Minh City
Interview between author and the painter Ca Le Thang about new developments in Ho Chi Minh City brought about by the open-door policy doi moi and the increasing commercialisation of fine art. Modernism is more easily accepted here than in some other parts of the country. The magazine My Thuat was formed 2 years ago as an organ of the City Fine Arts Association, and provides a forum for artists and critics to air important issues.