Mudflat arts believes that the landscape is not there to be painted so much as to be protected. The role has changed from one of passive painter to active member of the community.
..the response to a site was very much tied up with the way humans had mediated the experience. Yes trees and forests were sacred but that didn't mean that you couldn't touch them. Our mediation of course must be sensitive - be fearless yet thoughtful... Series of black and white photographs accompany the article.
In these days of environmental awareness it is pleasing to see a growing awareness of the need to improve urban environments. This is not to say that we should, yet again, be looking after the concerns of people over and above the needs of the natural environment.
'Choose a woman architect - there is a difference!' proclaim a multitude of stickers all over Sydney. Constructive Women, the Sydney based association of Women Architects and Planners decided it was time for a new approach.
The Seagrass Project has been cited as a model community arts project. Located in Hastings Victoria, the project has been documented on video and shown on television in Austria and Canada and could potentially achieve wide international exposure.
Change, and how it effects the evironment and the quality of life, is a recurring theme and metaphor in the work of artist Jeannie Baker. While celebrating the beauty and fragility of the environment she delivers a provocative and powerful message about our responsibilities towards the natural world.
Two recent shows in Melbourne of installations by Alex Danko have investigated issues indirectly referring to architecture and the private and social body within the Australian environment.